mspace52
Watched this on Netflix, and it became so tedious I started to fast-forward through the prolonged, meaningless rounds of chatter. The ending was so incomplete you might think that they all just decided to call it quits and walked off the set.It was an interesting premise, the status of relationships against the backdrop of a global health crisis. However, the crisis itself wasn't developed in a believable manner. Dude is playing basketball blissfully unaware that an airborne chemical weapon is drifting to the US, after having left hundreds of millions dead in the Middle East and Europe. (Really, that didn't turn up in his news-feed?) And there was little reflection within the relationship, in regard to these terrifying events, as most of what you are subjected to is the events in their lives prior to the release of the toxin.
danew13
A film I couldn't wait to end it was so slow and non eventful. The script was minimal,there were no noticeable transitions to the flashbacks and most of the characters acted as if they had no idea what was happening.This was an example of good well known actors roped into what was supposed to be a modern day version of On the Beach, but without any of the tension, dialog and story. Rather than engaging in pointless flashbacks, more attention should have been paid to the worldwide disaster unfolding.Parts Per Billion illustrates why many low budget films never get shown widely...the script was lousy and production values mediocre.
MartinHafer
"Parts Per Billion" is a film written and directed by Brian Horiuchi. It's very well made—with some really nice acting. However, it's also one of the most depressing films you could ever watch and I don't think most folks would want to see a film quite like this—especially since it seems very obvious where all this is headed.When the film begins, you learn that some sort of biological weapon was unleashed in the Middle East. Soon, folks in that part of the world start dropping dead and it seems like the weapon will spare no one in the immediate area. However, when the effects start spreading globally, it seems like perhaps no one will be left alive. However, this film is not so much about this directly but how a few individuals react to all this. Some fight desperately to survive, some ignore the inevitable and some can't stand to face life in this post-apocalyptic world and are ready to just give up. Naturally, these scenarios are depressing and the film keeps cutting back from one story to the next.The film stars a few famous folks—with some really nice performances by veteran actors Frank Langella and Gena Rowlands as well as Josh Hartnett and Rosario Dawson (among others). The direction is also good, though in a few scenes I was annoyed by a modern filming technique which I think is way overused—the unsteady cam (it can make you nauseous if you see too much of this on the big screen). But the combination of the music, writing, acting and director's touch is quite good.I am going to make this review rather short. Suffice to say if you like Robin Cook stories about pandemics, then you'll probably enjoy "Parts Per Billion" (well, enjoy might not be the right word for this). However, it's a lot more depressing than most of Cook's doom and gloom scenarios—much! Well made but so thoroughly unpleasant I am not sure who would really want to see this one. My advice is see it if you want, but if you are suffering from depression or are worried that this one might make it tough for you to sleep, I suggest you try something else. Well done but awful to watch at times.
centinel822
Parts Per Billion follows the intertwined stories of three couples at different stages in their lives who are dealing with their relationships during a time of global crisis. Each couple is dealing with their own issues within the context of larger events. Those seeking scenes of mass hysteria and destruction will be disappointed. This is a relationship movie, through and through.It's no surprise that the cast is terrific, and do the best with what they have to work with. Whatever faults may exist, the writers and cast create believable and interesting characters. The non-linear nature of the story -- the scenes jump from couple to couple and from time to time -- can be a tad confusing at times, but it was probably necessary to provide a feeling that something is happening. This is important, because nothing actually is happening. To use a cliché, it's like the characters are rearranging the deck chairs on the Titanic without even acknowledging that its sinking. There is an unreal feel to how the looming external crisis is ignored by pretty much everyone until it is on top of them. For this reason, the film wastes the whole concept of impending doom and leaves us dealing with normal couples dealing with normal issues.Perhaps it was the director's intent to show how we get so swept up in our own personal affairs that we can't see the big picture, but it just seems to me to be a waste of a good premise. I can't help but compare Parts Per Billion to Another Earth. Both are small-budget films that deal with tragic relationships in the shadow of bigger events, but the later film was able to tie the two things together. This, too, could have been a poignant film, but it comes up short.
AD
