seymourblack-1 Despite being a B-movie that didn't make much money at the time of its initial release, "Pushover" will still appeal strongly to the average film noir fan. Its story about obsession, betrayal and murder contains many familiar elements but remains thoroughly engrossing throughout because it's well paced, frequently suspenseful and has a compelling plot. The atmosphere is claustrophobic and this is reinforced visually by the action being staged mostly in small, often cramped, rooms and dark rainy streets. The shadowy interiors are beautifully photographed and the ways in which the streetlights reflect on wet roads and illuminate raindrops on the cars are just a couple of examples of the superb quality of D.P. Lester White's work.Middle-aged LAPD Detective Paul Sheridan (Fred MacMurray) makes the acquaintance of an attractive young blonde called Lona McLane (Kim Novak) after she has some problems with her car and the couple quickly become lovers when they spend some time together waiting for the necessary repairs to be carried out. All is not as it appears however, because this apparently random meeting was set up by Paul who'd been assigned to the task by his boss because Lona is suspected of being the girlfriend of a wanted fugitive and Paul has been told to find out whether she knows her fiancé's whereabouts. He soon reports back to Detective Lieutenant Carl Eckstrom (E.G.Marshall) that he's convinced that she is in a relationship with bank robber Harry Wheeler (Paul Richards).Eckstrom feels confident that Wheeler will contact Lona at some point and so arranges for her phone to be tapped and for her apartment to be kept under constant surveillance. Paul and his fellow detective Rick McAllister (Philip Carey) are part of the stakeout team who occupy a room that overlooks Lona's apartment and together they wait for Wheeler to make his move. It's during this period that Lona suspects that Paul is a cop and when she confronts him on the issue, he eventually admits that she's right but assures her that his interest in her is genuine. She remarks that the $200,000 that had been stolen from the bank by Wheeler's gang could set them up nicely for the future if they could get their hands on it when Wheeler is eventually apprehended. Paul wants no part in that kind of scheme and soon returns to his stakeout duties.Rick starts to find his work becomes a little less tedious when he starts watching Lona's attractive neighbour, Ann Stewart (Dorothy Malone) but also one of Paul's colleagues notices that he is steadily becoming more and more agitated. Completely obsessed by Lona, Paul arranges to meet her again and together they agree to carry out her plan. A telephone call that she receives on the following day than sets Paul off in pursuit of the stolen money but the complications that follow soon lead him into desperation, betrayals and murders when things suddenly start to spiral out of control.The sequences in which the detectives spy on the women through binoculars are uncomfortably voyeuristic and very similar to certain scenes in Alfred Hitchcock's "Rear Window" which was also released in the same year as this movie. The bank robbery and an episode that takes place in Ann Stewart's apartment are played out without any dialogue and as well as being well directed are also rather Hitchcockian in style.During his childhood, Paul had frequently witnessed his parents arguing about money and this experience led him to believe that without plenty of cash, a successful relationship with a woman would be completely impossible. As a result, he was always more vulnerable than most to being corrupted by anyone with Lona's mindset and greed. Fred MacMurray does well at portraying his character's confident and competent exterior while also giving signs along the way of how he's gradually unravelling. Kim Novak, in her first starring role, is well cast as the seductive femme fatale and Philip Carey and Dorothy Malone also contribute a couple of really good supporting performances.

Jimmy L. This was a pleasant surprise. I'd never heard of this film and gave it a try. It's the classic noir set-up of a plan that goes awry due to unforeseen variables. There are flashes of DOUBLE INDEMNITY (1944), as Fred MacMurray and a beautiful woman (this time Kim Novak, in her breakout role) plot to get their hands on some money that isn't theirs, but only if they act their parts right.The movie centers around an all-night police stakeout of Novak's apartment, after her boyfriend robs a bank and takes it on the lam. MacMurray is a cop and figures his inside knowledge of both sides of the investigation should allow him to pull off the proverbial "perfect crime": lifting the loot while delivering the crook.There's some great suspense as things unravel and the 1950s black & white photography is great. There are hints of REAR WINDOW (1954) as the police watch the apartment during the stakeout. Dorothy Malone is adorable as Novak's next-door neighbor, who catches the eye of one of the cops through his binoculars. (It's a sweet romantic plot, not a creepy one.) E.G. Marshall heads a solid supporting cast. A very enjoyable film noir that may go under the radar. Check it out.

WarnersBrother Don't read the reviews comparing it to other films before watching it on it's own merits, which are many. A damn fine Noir which isn't beholding to any other.IMDb requires ten lines of text, but instead of impressing you with my opinions, I'll do this:Kim Novak is stunning physically and memorable performance wise.Fred Mc Murray is excellent on the northern-edge of his leading man days.The first 3 minutes are perfect.Really, the first 3 minutes make it worth watching.LA at night, the land that built noir.See it. Trust me.

bkoganbing In Pushover Fred MacMurray dusts off his acclaimed portrayal of Walter Neff the luckless insurance agent from Double Indemnity and gives him a badge as an easily corruptible cop. The temptation in his path is another dame, in this case Kim Novak being 'introduced' in this film as Columbia's answer to Marilyn Monroe.MacMurray's a cop who is assigned to get close to gangster Paul Richards's moll Novak. Richards and his mob have pulled off a bank heist and if they had any sense, they'd be out of the country and fleeing. But police captain E.G. Marshall reasons that Richards ain't going nowhere without Novak. Of course what he doesn't figure on MacMurray's libido as well as Richards. Novak's one cool ice princess in this one, she's willing to spend the loot with one crook as another and one with a badge sounds pretty good to her. There's a side romance going as well with Novak's neighbor, nurse Dorothy Malone and fellow officer Philip Carey. Malone gets innocently caught up in the intrigue. Carey while doing surveillance on Novak's apartment gets to peeping in on Malone next door. His little Rear Window act pays off in the end.Pushover is a fine noir drama and highly recommended for those who like myself know full well that Fred MacMurray is capable of a lot more than Disney films and My Three Sons which I think most know him for today. Novak makes a stunning debut as the ultimately luckless moll and the rest of the cast backs them up with a splendid ensemble effort.