Quentin Durward

Quentin Durward

1955 "MGM presents in CINEMASCOPE and COLOR...Sir Walter Scott's The Adventures of Quentin Durward"
Quentin Durward
Quentin Durward

Quentin Durward

6.3 | 1h43m | en | Adventure

During the 15th century reign of France's King Louis XI, a young Scottish man is sent by his English Lord to woo a French lady on his behalf. The plan goes awry when the young man falls in love with her. Based on the classic novel by Sir Walter Scott.

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6.3 | 1h43m | en | Adventure , History , Romance | More Info
Released: November. 23,1955 | Released Producted By: Metro-Goldwyn-Mayer , Metro-Goldwyn-Mayer British Studios Country: United Kingdom Budget: 0 Revenue: 0 Official Website:
Synopsis

During the 15th century reign of France's King Louis XI, a young Scottish man is sent by his English Lord to woo a French lady on his behalf. The plan goes awry when the young man falls in love with her. Based on the classic novel by Sir Walter Scott.

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Cast

Robert Taylor , Kay Kendall , Robert Morley

Director

Christopher Challis

Producted By

Metro-Goldwyn-Mayer , Metro-Goldwyn-Mayer British Studios

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Reviews

ma-cortes 1955 classic movie directed by Richard Thorpe with a good cast and mighty spectacle about Medieval knights and the famed romance in color magnificence . Spectacular and above average adaptation derived from Sir Walter Scott classic novel . This MGM Cinemascope production from the company and producers ( Pandro S Berman ) that gave you Quo Vadis, Ivanhoe among others and only this Production Company could bring it so magnificently to the screen . The classic story of romantic adventure come to life enriched by Technicolor and with such great stars as Robert Taylor , Robert Morley, Duncan Lamont and Kay Kendall . Nice family fare with romance and great action scenes . Film which proved to be notable success in this lively rendition about chivalry and knighthood in century XV , France . Knights battle each other and woo maidens on this chivalrous epic romance . This splendid version , in superb Technicolor , of Sir Walter Scott's classic epic tale starts in 15th century , 1465 , when a man of honour , Knight Quentin Duward , a suitable noble wielding a sword and courage is assigned by his uncle to travel to France to meet Isabelle (Kay Kendall) and for political reasons to marry her . But Charles (Clunes)the Duke of Burgund has other plans and she is utilized as pawn in a deadly game . Meanwhile the young countess renounces the marriage proposition and flees, when is suddenly attached by the De La Marck's devious underlings , being saved by Duward . In order to regain his freedom , he protects her but Durward finds they're being double-crossed by the King Louis XI who has a likable confidant , a barber named Oliver (Wilfrid Hyde White). But Quentin will stop at nothing to assume his mission. Quentin join forces with Hayraddin (George Cole) against William De La Marck (Duncan Lamont)-the Beast of Ardenas- and his hoodlums who attack the stronghold. Sir Walter Scott's story of romance and chivalry in Medieval France is faithfully brought to life in this awesome film in which Robert Taylor stars as Quentin Durward who fights the evil William De La Marck and his hoodlums in an attempt to restore Louis XI to the throne facing Charles the Reckless . This enjoyable film displays romance, chivalry, knighthood , daring adventures and lots of action with spectacular castle attack and overwhelming final that includes a breathtaking confrontation in a bell tower at its climax . The fighting , brawls , duels and other action sequences with a plethora of sword-fights involving maces, axes and lances are magnificently handled . The authentic fight images are among the most spectacular ever shot , as the ending duel between the dastardly William De La Marck excellently played by Duncan Lamont and Quentin is impressive . This one proved notable hit as well as the former adventure movies starred by Robert Taylor . This is an overwhelming tale with adventures, villainy,romance and heroism in the grandeur of Cinemascope although in television set lost splendor. Luscious costumes and gowns specially suited for Kay Kendall . The film packs a glamorous and luminous cinematography by Christopher Challis and evocative musical score by Bronislou Kaper . This is the third on a magnificent trilogy of movies realized by M.G.M. in Great Britain with Robert Taylor , produced by Pandro S Berman and directed by Richard Thorpe , the other were : ¨Ivanhoe and Kights of the Round Table¨. The picture is excellently handled by Thorpe , an expert on adventure movie as proved in ¨All the brothers were valiant , Prisoner of Zenda , The prodigal and many others ¨. The picture will appeal to aficionados with chivalric ideals and historic movies fans.
Boba_Fett1138 It isn't until the end that the movie turns into a spectacular and true swashbuckler. In between there are too many long moments in which basically nothing is happening. Also often the action just seems to drop out of nowhere and the movie features some awkward and forced humor, that perhaps even is a bit embarrassing to watch. But hey, everyone knows that the greatest swashbucklers were not made in the '50's.The story is just a great one. It's an absolutely top-class and solidly constructed story. It had lots of potential in it and interesting characters and motivations. The movie however never really fully uses all this potential You can't help when looking at this movie thinking how much better it all could had been, or at least more entertaining, if it just went that one step further. The movie gets obviously restrained by its low budget but that's no excuses in my opinion. The directing is rather bland and imaging-less. Strange though, since Richard Thorpe is obviously a capable director.The love-story feels forced, as if it was simply a needed ingredient. It of course always has been a part of the swashbuckler genre but in this particular case they would had been better off skipping it, since it's simply not believable in the story and there is no chemistry between the two lovers, played by Robert Taylor and Kay Kendall.The end still makes up a lot for the movie, when the main hero and villain are clashing their weapons, while swinging in a bell tower. Great swashbuckling stuff.The movie has some great characters in it but non of them quite work out, since they are being portrayed too formulaic. You know this is the sort of movie in which the villains all wear black and the good guys are all colorful and stuff. A shame, since it again, showed some real good potential.Robert Taylor did a good job, although he really ain't no Errol Flynn. He also was perhaps a little bit too old for his role already. He was 44 at the time and he really looked like it. It's also not hard to see why Kay Kendall nothing really had a sparkling career, though her early dead in 1959 also of course contributed to this.Not a that bad movie but the Sir Walter Scott novel deserved a better treatment.6/10http://bobafett1138.blogspot.com/
gerrythree Anyone looking for insightful commentary on the human condition in a movie should avoid "Quentin Durward." Robert Taylor plays Durward, a poor knight out of place in his time, as he acknowledges to his uncle at the movie's start. Once the story preliminaries are over, Taylor goes on his mission to France, where everyone is against him, including Count de la Mark, the Beast of the Ardennes. "Quentin Durward" has great castle background shots, great photography and pretty good action. Robert Morley's well fed appearance softens his role, a king who cheerfully sells everyone out, causing death and terror. In "Quentin Durward", life is cheap and death often comes in a grim manner. Without giving away the plot, there are a lot of peripheral characters who get messed up along the way. There are no big scale castle sieges like Ivanhoe, just the aftermath after de la Mark takes over the castle of the Bishop of Liege. The costumed characters in "Quentin Durward" have real problems, such as Kay Kendall's character, who is being forced into a marriage she doesn't want. Money, land and power are the driving forces of the bad guys (which would include de la Mark, Morley's Louis XI and even Durward's uncle). In 1955, if MGM made a movie about crooked real estate speculators trying to rob a young woman of her inheritance, no one would pay to see the movie. Instead, MGM brings out the costumes, the great production values and a script tailored for Robert Taylor, including some snippy remarks, set in 15th century France. Moviegoers in 1955 waiting for Robert Taylor to appear in his next MGM costume action movie were like the character in "Waiting for Godot." "Quentin Durward" was the end of a line of historical movies that MGM started 30 years earlier, with "Ben-Hur."
Nazi_Fighter_David Richard Thorpe managed a few amusing moments in "The Adventures of Quentin Durward" which has a trapped Kay Kendall, whose only hard way to escape was to get rid from the evil black villain William De La Marck (Ducan Lamont).Robert Taylor (Quentin Durward) engaged with De La Marck a rare but extremely exciting duel to-the-death with ax and dagger in the burning bell tower, swinging on the bell ropes in a rhythmic motion, getting from side to side with the sound of the ringing bells, until the destruction of the vile Count...The best part of the film is the performance of the delicious heroine, Kay Kendall, 'one of the Cinema's few outstanding Comediennes,'whose beauty and artistic talent flourished the story, set in the 15th-Century France...Kay Kendall (1926-59) went away much too young of leukemia...Kay performed the maiden in distress, the medieval heroine fitting well into a motion picture which caught beautifully Scott's novel... The plot was simple: an elderly English Lord (Ernest Thesiger) sends his nephew (Robert Taylor) to seek in marriage a French Lady (Kay Kendall) on his behalf... He falls in love with her himself..Sir Walter Scott wrote the novel in 1823... His 'Ivanhoe, 'The Talisman' and 'Rob Roy' have received most attention from filmmakers...Another quality of "The Adventures of Quentin Durward" is the good acting of Robert Morley as the cunning, outrageous, very winding King, a characterization so different to his great performance as the weak-minded Louis XVI in "Marie-Antoinette" opposite Norma Shearer... This delightful British actor played excellent supporting roles in good-humored or pretentious roles...Robert Taylor was the perfect cavalier, the man of word and sword, the romantic adventurer who appeared to relieve a charming Lady..