Jackson Booth-Millard I found this Chinese film in the book 1001 Movies You Must See Before You Die, it is often referred to as China's first horror film, there are not a lot of details available about the cast, and not many critic reviews for it, so I watched and made my own mind up. It is loosely based on The Phantom of the Opera by Gasto Leroux (the classic Lon Chaney movie was released twelve years before). Basically mysterious musical genius Song Danping fell in love with the daughter of a wealthy lord. He was beaten, scarred with acid and left for dead years ago in the burning wreckage of the old opera house. Following his disfigurement, he refused to let his lover see him, so he asked someone to write a letter telling her that he was dead. He now looms in the revuilt traditional Chinese opera house, he is looking for someone to star in his own private production, he takes and punishes any person that offends him. It was only a matter of time before his lover returned, she does not appear to have found a new love but being deformed he cannot bring himself to reunite with her. Most of the time he covers himself with his dark cloak, and the only time his lover connects with him is hearing him singing from a distance. There is also a political subplot going on involving the leftist revolutionary movement. Starring Menghe Gu, Ping Hu, Shan Jin, Chau-Shui Yee and Wenzhu Zhou. It may be dated in some regards, but it does have some good macabre drama, the face reveal sequence is most memorable, the singing and music is enjoyable listening, and despite it being a familiar story, it does work well, all together it is a worthwhile classic horror. Good!

allyball-63124 Wanna know something funny about this movie? The Phantom-like character in this movie is called Song and the sort of Raoul character is called Sung and the Phantom teaches Raoul how to sing. So Song teaches Sung how to sing. Yeah, I know these are Chinese names but come on, that had to be more than a coincidence. Anyways, onto the movie. Since I do not speak Chinese, I watched a subtitled version that actually had better subtitles! No walksn foxes here! So I didn't have a problem in knowing what was going on although some of the subtitles seemed a little weird, that was most likely a language thing. With so many changes to the Phantom of the Opera story, this is very loosely a version but it does feature a disfigured musician that falls in love with a singer so I guess that's all you really need. Overall, this was an enjoyable flick but it does have a few issues. First off, the first half of this movie is very slow and honestly bored me a little. However, once Song is scarred by acid, the movie really picks up and becomes a fun watch. Song's makeup is also very well done and is certainly the best of the acid disfigurements. Plus, the scene where he sees his recently disfigured face is probably the most poignant scene in the whole movie and makes the whole "deformity is an injury" thing I'm not very fond of, much more tolerable. I also think that Song and Xia have a very genuine relationship and I liked how he was willing to sacrifice his happiness for hers. Though at the same time, that is done out of his own insecurities about his face which is a bit odd to me. They were so obviously in love, I don't think Xia would reject him because of something as shallow as his face. Oh well, maybe that's touched on in the sequel, which I haven't seen yet. Aside from that plot-hole, the story itself is pretty good and the characters are endearing enough. However, and this might just be a culture thing, I don't really get why it's considered the first Chinese horror film when it really doesn't seem to be scary or even remotely creepy. It seemed like more of a romance and drama film than horror.

jeasto1966 The most immediate drawback to this film is the dialogue. At times it's extremely stiff and stilted, or at least the translation is. But it's still a rather remarkable film for for it's time. Try to get past the whole "Phantom of the Opera in Chinese" thing. If you can get beyond that, and watch the film for what it is in its own right, I think it's far more enjoyable. The interplay between light and shadow in the setting is really interesting, and probably more interesting than the plot itself. It's also amazing how Westernized this is for a Chinese film, from the music in the score to the wardrobe, and really to the action scenes at the end of the movie.

Mozjoukine It would be nice to see Weibang Ma-Xu's other films. He was a busy director logging up credits till the sixties. This is his film which got most attention, though Chinese intellectuals were apparently dismissive of it. Now that the circulation of mainland DVDs has made the pre-WW2 Shanghai films accessible, SONG AT MIDNIGHT turns up in a battered but watchable copy and is unusually intriguing.Even without sub-titles, the story can be followed. Viewers are helped by familiarity with the "Phantom of the Opera" origins and Ronny Yu's accomplished re-make which drew on another half century of technique and a bigger budget. You can also see the influence of the Lugosi Dracula here but this is a much better film.The plot has a traveling operetta company arrive at the run down provincial theatre. Their juvenile is having problems but he is coached to triumph by a mysterious hooded figure, who a flash back reveals is a star disfigured by the local power cartel, when he romanced the daughter of an influential family. The young performer sings under the window of the phantom's old love now deranged, who takes him for her former lover. When his old nemesis menaces the ingénue of the company, the Phantom attacks him and is burned in a tower building by an angry mob. This is not a film that coasts on subtlety.The film making, while not polished, gets by and is full of imaginative touches and striking images. The actor playing the phantom was thought of as one of the country's best at the time and it is interesting to see his work here.This is certainly more entertaining than much of the more purposeful work that makes it into critical histories. Anyone with a serious interest in film should seek it out.