Textuality

Textuality

2011 ""
Textuality
Textuality

Textuality

4.1 | 1h30m | en | Comedy

Two people attempt to get into a relationship, while exiting the multiple relationships they were each managing through their Blackberries before they met.

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4.1 | 1h30m | en | Comedy , Romance | More Info
Released: April. 22,2011 | Released Producted By: , Country: Budget: 0 Revenue: 0 Official Website: http://www.textualitymovie.com/
Synopsis

Two people attempt to get into a relationship, while exiting the multiple relationships they were each managing through their Blackberries before they met.

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Cast

Jason Lewis , Carly Pope , Eric McCormack

Director

Warren P. Sonoda

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Reviews

JaynaB The above is a good enough excuse for me to go back over a scene.However, this isn't the best date movie. It will raise too many questions in your companion's mind and you'll have to guard your phone from snooping forever afterward.That said, it's not as painfully bad as some reviews would have you believe. The moral of the story is simple. When you find something real, you have to make a hard choice: to back out of all the other fun, fleeting entanglements, no matter how messy it might get - or let the real one walk.Yes, the male lead is wooden. Most of the characters aren't nuanced. The female lead carries the emotions for the whole cast. She doesn't show a lot of range, but it's there. The most believable to me are the Three Musketeers - I may have met each of them although not under similar circumstances.But the very awkwardness of the acting and the filming make this little Canadian film a more real portrayal of the confusions and mistaken assumptions and unavoidable wounds of the current e-fueled, spoiled-for-choice world out there. Maybe the real problem with this movie is that it was released five years ago, before quite so many people had grown into and through this inescapable slice of 21st-century life.
Mr Thoro Textuality is a great romantic comedy that showcases a spiral of digital relationships that culminates in disaster. If you cannot relate to this movie, you've either neglected to embrace the future of communications or you've got zero sense of humor. The characters portrayed feel like characters from everyday life which bodes perfectly for the plot.Next up is the music which was perfectly synchronized. A couple low profile classics mixed in with some mood setting tunes made the movie flow together really well.I was surprised to find this movie had so much Canadian content, as that usually becomes evident very quickly based on simple things like the timing, continuity and color correction, all of which were flawless executed here.The women could have been cast to be a little more attractive but given the diverse range in tastes - to each their own.
Max MacDuff Despite a (very) wooden performance by Jason Lewis, this is a really honest, and amusing look at the mores & communication growing pains of the early 21st century. It's an all-Canadian cast & crew, and looks like a great debut for screenwriter Liam Card. The cinematography and lighting are amazing for a low-budget film, and the musical score is fabulous. In fact, the Ray Charles title song (Hide Nor Hair) debuts with this film -- AMAZING. Living & dying by the sword... "Just Retribution" at its finest, yet ends on a hugely positive & instructive note. There's hope. The bowling-alley scene says it all... should be on the watch-list for SOC 101 or PSYCH 250. Overall, it's lots of fun & worth the watch. MM
tor-valamo I don't often write reviews, but while watching this movie I felt like I had to warn others not to waste money on it.None of the characters have personalities. Even the main character is completely shallow and the only funny thing about him is his arrogance towards anything (which may just be bad acting).Carly Pope is great. She's the most dynamic character in the film, very much thanks to her acting, less thanks to the script.Oh and another thing that was kinda funny were the guys she was dating. Probably the most original characters in the film, but too little screen time and as a result very shallow. I'd watch a film with just those three.I think this movie is a great study (or warning) for any emerging script writers and possibly directors in what you get if your characters don't have any character. If the main goal is the storyline rather than making the audience bond, then why not write a book instead.