Michael O'Keefe A young couple wakes up in a nightmare after renting out their guest cottage. Without any real references, Chloe(Kristen Dalton)and Michael(Victor Brown)rent the cottage behind their home to Robert Mars(David Arquette), a writer who claims to need privacy. Mars comes across bashful although he writes romance novels. Chloe becomes curious about the sometimes charming renter, observing the hours he keeps and his comings and goings. Choloe doesn't like Mars staring at her daughter and really freaks out after finding him in the main house in the baby's room. Does Mr. Mars lead a double life, maybe searching for writing material? Or is he even a novelist at all? Is he just devious? This film seems like a dull made for TV movie. Very little acting, albeit there is enough curiosity raised to make a decent psycho thriller flick. THE COTTAGE is filmed in Santa Clara, California and filling out the cast: Morissa O'Mara, Alana O'Mara, Ken Baumann, Franny Hocking, Bellamy Young and Darren Dalton.

tashadriver Questions I had to ask while watching:1. With such good actors here, why is the script this horribly unbelievable? 2. If this guy creeps them out this much, why didn't they make at least ONE police report. 3. Would you please STOP LEAVING THE BABY ALONE IN RANDOM PLACES? I was almost rooting for Arquette's character to win in the end,because someone really need to call child services on the mother. 4. What on earth did they do to Rose? I mean, no normal girl shacks up with some guy who lives in the backyard unless he gives her drugs or her family has already put her through some traumatic sh*t.5. After the twist ending: What on earth is this guy's penis made out of. Gold? Heroin? Pixie dust? Seriously, how can a minimally attractive guy with a serious problem of being socially creepy get that many pretty young girls to buy into his B.S.

ofumalow Actually, I know it's never easy to make a movie. But sometimes you see one and you think, how on earth did this actually get funded, get as far as production, with a script that might have been drafted on a few cocktail napkins? Really, you're going to pour so much money and effort into something that has barely been written? Was it so so easy to say "Sure, this script is ready! Let's roll!" when there are plenty of people involved whose professional instincts should have been screaming "Hit the brakes NOW!!!"This slapdash assembly of genre elements has too many ideas for one thriller, though none of them are necessarily good, and none of them are developed at all. That includes the dysfunctional family dynamics (so poorly done I wasn't fully sure just how everyone was related to each other), the villain's backstory (there is none--how, and how long, has been getting away with this stuff?), the ridiculous cult-leader-of-sexy-young-women thing, and so forth. This i one of those movies in which the entire plot falls apart anytime you ask a question like "Didn't they think to ask for references before letting him rent their home?," let alone "Why didn't they call the police?" (you'll ask that one about ten times). It's just sheer carelessness that perhaps could be excused/explained if the film went into production without a finished script (or into the editing room after a budget shortfall caused filming to stop before the whole script had been shot...these things happen). Either that, or the filmmakers simply had no idea their script was Swiss--as in cheese, with lots of holes. Of course a lot of people are going to find the very idea of David Arquette as a scary bad guy inherently ridiculous. He's adequate here, actually, and could have been pretty good in a better movie. But the other performances are fair to middling, no surprise since they're given so little to work with in terms of scripted character definition. What worst about this movie, though--even beyond all the above, not to mention the weak non- ending--is its vacuously glossy look, which is more appropriate for a Lifetime or Hallmark movie than a horror thriller. It's like a lifestyle ad for a new upscale suburban development in Utah, the homes are so boringly tasteful and new-looking. Needless to say, this tends to undercut any potential for suspenseful atmosphere--and unlike something like "The Stepfather," "The Cottage" doesn't even think of using that environment subversively, to give the horror elements a more perverse edge.

gavin6942 A romance novelist (David Arquette) moves into a "cottage" behind the home of a composer and his family. He seems sweet, but what do they really know about him? I have no idea how this was botched, but it was. You have a pretty decent story of a man living in a guest house and the family is slowly getting creeped out by him. That seems easy enough to build suspense for, find good actors and more. But somehow, no, it just does not happen. And I do not want to blame the actors, because they were fine. I want to blame the person who wrote the script (Nick Antosca). So much of what Arquette's character does makes no sense whatsoever. He could achieve his goals in ways that are less absurd.The cinematographer, Zoltan Honti, needs to be singled out. Maybe his work is sometimes good -- he has done a number of films -- but it just is not worth a darn here. He does not frame things well, the camera is jostled all over when it should be steady... it is a mess. I recently watched "Last Exorcism" and do not recall it being so bad... For what it is worth, though, "Zoltan" is a pretty awesome name.Lastly, I have to take issue with the box. First, it says the film is "based on a harrowing true story". I hate it when films claim that, especially when it is so blatantly false. The events in this movie did not happen. And second, it says the family does not know about "depraved secrets of his past" (referring to Arquette). That is just misleading -- his past is never the issue, and I do not know what secrets he has. What matters is the present, which may or may not be "depraved".