MartinHafer
It seems rather ironic that Erich von Stroheim stars in this film considering it was shot in only 8 days. Why is this so ironic? Well, when von Stroheim was a director, he made "Greed"...a film that originally clocked in at 10.5 hours!!! The studio was irate to say the least and pared the film down to 2 hours....and Von Stroheim received very few assignments to direct after this and his next debacle, "Queen Kelly"...which he never actually finished!Doctor Crespi (von Stroheim) is a well respected doctor. However, he's hiding his rage...rage at the man who he credits with stealing Crespi's girlfriend. So, when this same man needs an operation, Crespi agrees to do it...and now he finally can get his revenge. Using a formula he's created himself, he injects the patient...who appears to die and remains in a dead-like state for 24 hours. But Crespi knows that the man IS still alive...and he taunts the man and describes the agony he'll go through when he's buried alive! Is there any hope for the victim? Well, Crespi's assistant (Dwight Frye) doesn't trust him...and he begins to suspect that perhaps Crespi poisoned the man. What's next?This is a well made and very effective B-horror film. Nothing to dislike about this one....very enjoyable and worth your time...particularly if you like the genre.
mark.waltz
The middle of this Republic programmer has among it some of the most sinister and horrifying dialog in the history of horror films. Erich von Stroheim gets to recite a speech that will have you gripped to the edge of your seat. He is a well respected doctor and scientist who only takes the patients recommended to him by other doctors, but I'd turn that offer down even if it was my only alternative. Today, there are many names for the type of mental illness he has, but really, it all comes down to pure, undeniable madness. He's a total perfectionist and a genius, and in this case, he doesn't just have a touch of madness; he has an entire brain filled with it. In love with Harriett Russell who chose to marry a close medical colleague of his (John Bohn), he goes completely bonkers when Russell begs him to operate on her husband. To say that the operation fails is an understatement; it doesn't go awry, it goes eerie. Von Stroheim's assistant (Dwight Frye) realizes something is wrong and makes the mistake of confronting him. The story is gripping but full of plot holes. But I just dare you to take your eyes off of von Stroheim. He goes between being calm, cool and collected to totally hammy, and in his big speech reminds me slightly of that British star of mayhem and murder, Tod Slaughter. How it concludes really might have you getting the willies, although certain aspects are quite funny too.
Mike-764
Famed surgeon Andre Crespi is called on the perform a life saving operation on Dr. Stephen Ross, a man who won the heart of the woman (Estelle) that Crespi had fallen for. Crespi manages to perform a successful operation, but during the recuperation, he gives a drug to Ross that gives him the appearance of death. When Ross is pronounced "dead", Dr. Thomas (a staff member at Crespi's hospital) suspects Crespi of killing Ross, but Crespi overwhelms Thomas, and locks him in a closet while Crespi attends the funeral and burial, with Ross still alive. Not sure of what Crespi did, Thomas and colleague Dr. Arnold dig up Ross' body for an autopsy, but when Ross "comes back from the dead", what will happen next? Intriguing film based on Poe's "Premature Burial" with a very sly, mad performance by Von Stroheim and very well done subdued performances by the rest of the cast. The film was shot in the Bronx, so production values are not the peak of excellence, but even the direction could have been better with many close-ups and shots of the actors that are a few seconds too long. A score to the film would have helped, and the romantic subplots w/ the doctors & nurses (2 of them) detract from the main story, but the story is enough to help this B movie. Rating, 6.
Anne_Sharp
Even though Erich von Stroheim privately referred to this film as "The Crime of Republic," he delivers one of his most gracefully modulated early sound performances in this beguiling low-budget shocker. One of the better examples of the mad-doctor-gets-revenge-against-normal-man-who-stole-his-girl genre of the mid-thirties ("The Raven," "Murders in the Zoo," "Mad Love"), "Crespi" is made especially memorable by its low-key, dapper star, who wears designer lab coats, keeps a baby skeleton in his office as a sort of mascot/alter ego, and shows a refreshing lack of patience with the earnest, romantic idiots he's surrounded with.
AD
