The Disappearance of Eleanor Rigby: Him

The Disappearance of Eleanor Rigby: Him

2014 "Two Films. One Love."
The Disappearance of Eleanor Rigby: Him
The Disappearance of Eleanor Rigby: Him

The Disappearance of Eleanor Rigby: Him

6.8 | 1h29m | R | en | Drama

Told from the man's perspective, the story of a couple trying to reclaim the life and love they once knew and pick up the pieces of a past that may be too far gone.

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6.8 | 1h29m | R | en | Drama , Romance | More Info
Released: October. 10,2014 | Released Producted By: Myriad Pictures , Unison Films Country: United States of America Budget: 0 Revenue: 0 Official Website: http://www.eleanorrigby-movie.com
Synopsis

Told from the man's perspective, the story of a couple trying to reclaim the life and love they once knew and pick up the pieces of a past that may be too far gone.

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Cast

James McAvoy , Jessica Chastain , Bill Hader

Director

Christopher Blauvelt

Producted By

Myriad Pictures , Unison Films

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Reviews

secondtake The Disappearance of Eleanor Rigby…Him (2013)This is part of a two segment movie about a couple recovering from tragedy (losing a young child) told from the point of view of the mother and father separately. Like "Her," this one is mostly about the protagonist, with some key elements from the relationship unravelling. And like "Her" there is very little about the grieving or the actual tragedy. We are supposed to be dropped into their lives long enough later to be in their individual recoveries.The father here is James McAvoy, and he's good, but he doesn't have the intensity and range of Jessica Chastain, who carries the "Her" movie so well. The supporting cast is thinner here, too—Viola Davis makes only a tangential appearance, and there is little of Isabelle Hupert and none of William Hurt, who both make "Her" rather special. So here we have the somewhat clichéd "friends at a bar" as McAvoy's clan, and it's nothing much.It's tough to judge all of this because I saw "Her" first and so the plot itself was new to me then, and here it is simply the retelling of the same story. So what was most interesting of all was the re-telling of the overlapping sections, seeing the events from different eyes. This wasn't pushed hard, which is fine (this is no "Rashoman"), and so it just makes the pair of movies gel.Beware of the third movie, however—which has the suffix: "Them." I haven't see it (and won't), but it is apparently a mash of the first two, a shortened single version that apparently lacks the potentially probing aspects of the two halves seen singley or together. The two separate movies are sometimes shown or released as a marathon version that is not the same as the shortened, combined Them. So see one of the two single versions and go from there.Advice: "Him" alone is not as satisfying as "Her," for commons reasons like the depth of acting as well as the range of characters. Chastain's version is better by far, but if you do see "Her" first, I think "Him" adds another layer that is satisfying, and not redundant except in just the right moments.
Thomas Drufke Hollywood has given us some of the greatest love stories ever told, but they don't always seem real. The Disappearance of Eleanor Rigby: Him is just about as real of a story as you will get. Not only does it delve into problems that couples regularly have, but it gives us a sense of what it's like to try and overcome a tragedy close to home. It's not a film I recommend you watch as a "chick flick" or when you're in any sort of good mood. But if you are looking to be a little sad and perhaps wanting to see what it may be like to be in a difficult marriage this is the film for you.The way these two films are told is extremely risky and experimental. I have not seen "Them" but I imagine the films were meant to be separate and not combined into one. "Him" gives us James McAvoy's perspective on the couples attempt to rekindle their relationship. I liked this side a lot more. I guess it could be because I was able to relate more to a man's view on a relationship rather than a woman's? Or maybe it was because this side just flows a little bit nicer. I definitely think this is the film you should watch first. McAvoy's character, Conor Ludlow, acts like any guy would act when his wife or significant other suddenly removes herself from his life. You just want answers, but relationships are never that simple. The film really seems to take the (500) Days of Summer approach of not promising anything clichéd or Hollywood like happening, rather giving their relationship a grounded realistic take.There are quite a few moments of true romance. Lines like "Before you I didn't know who I was" come off as just heartbreaking knowing that this is the same for so many other couples. Love is something that doesn't come easily or without work. But I think if you truly love someone, in the end the effort and sacrifice is all worth it. It's a form of a love story sure, but it became more of a character story of overcoming tragedy and accepting that life does go on after. I would imagine it's something that seems unimaginable, but at the same time unavoidable. I really liked the way the film ended, especially with the music. Although I'm curious to see how they could have ended "Them" knowing they have to accommodate both sides.+McAvoy's real performance +Score & soundtrack +Relatable real life relationship -Can be too depressing at times 8.3/10
Serge Atala Honestly, I have never encountered a screening of such intensity and relativity to this day-to-day life and dogma governed charade.What you as a viewer are about to encounter is a defiance against your deep down inner skeptical thoughts. For some, this might be perceived as an embodiment of pure heretics. But rest assure viewer, you might be a one who is objective in perspective, and ingest this screening as a wake-up call for what you are missing on in life, or... a certification for whatever life you lead with your significant other, for the latter I'm sure was not forced onto you but chosen, chosen by your true undeniable true tendencies.Enjoy my dear viewer this piece of art from whatever display box you have at home.
Joe Jodoin This is the first half of a 2-part movie, starring James McAvoy and Jessica Chastain. The Disappearance of Eleanor Rigby is actually 2 movies, one from the husband's perspective and one from the wife's perspective. I bought a ticket to see this film because it sounded like an interesting concept to see the same movie twice from different perspectives, and I figured I would get 2 movies for the price of one. I thought I knew what I was in for when I went to this movie, but it surprised me in many ways. This review is obviously for the part told from the husband's perspective.The first thing that pleasantly surprised me was the music. The songs accompany the movie perfectly, and add to the emotional depth of the story. The script is also surprisingly funny, and occasionally hilarious. I was not expecting that, but it made both parts of the movie very watchable. I applaud Ned Benson's first feature-length script, and his directing was amazing too. I'm highly anticipating his next project. The acting was also perfect, and very realistic. Both the leads, and the supporting cast (mainly Bill Hader), were the perfect choices for their roles. My main problem with the film, wasn't with this part exactly, but with the 190 minuet length of the two parts combined, although this is counteracted by the emotional depth that can be dug within over 3 hours of its run-time. Also, this isn't a movie that general audiences will like at all. I'm sure that most people will be very bored by this movie and absolutely hate it. If you like indie films though, this is a movie for you. I highly recommend seeing the movie in theaters, because it is so unique and interesting to watch. Another good thing is that this one part alone felt like a full length 2 hour movie (but is was only 95 minuets), so if you only want to watch one part, this part is still worth watching, but it wont have as much meaning as it would if you watched both parts. Overall this film deserves an 8.8/10 star rating, and please go see this movie in theaters next year to support all who were involved in the making of this film.