The Hand that Rocks the Cradle

The Hand that Rocks the Cradle

1992 "Trust is her weapon. Innocence her opportunity. Revenge her only desire."
The Hand that Rocks the Cradle
The Hand that Rocks the Cradle

The Hand that Rocks the Cradle

6.7 | 1h50m | R | en | Drama

A suburban family chooses seemingly sweet Peyton Flanders as their newborn's nanny. Only much later does the infant's mother, Claire Bartel, realize Peyton's true intentions -- to destroy Claire and replace her in the family. The nail-biting suspense builds quickly in this chilling psychological thriller about deception and bitter revenge.

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6.7 | 1h50m | R | en | Drama , Thriller | More Info
Released: January. 10,1992 | Released Producted By: Hollywood Pictures , Interscope Communications Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

A suburban family chooses seemingly sweet Peyton Flanders as their newborn's nanny. Only much later does the infant's mother, Claire Bartel, realize Peyton's true intentions -- to destroy Claire and replace her in the family. The nail-biting suspense builds quickly in this chilling psychological thriller about deception and bitter revenge.

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Cast

Annabella Sciorra , Rebecca De Mornay , Matt McCoy

Director

Mark Zuelzke

Producted By

Hollywood Pictures , Interscope Communications

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Reviews

bookgadgetgurl Love the Movie! But my Mean Ass Mother-In-Law got Ideas from this Movie. She has been Playing the Hand that Rocked The Cradle with My Daughter and I ever since. Apparently she forgets how the Movie Ends. I stay completely away from her ignorant little bitty Bitch Ass. She has done nothing but make a Wedge! Dear Dearly Departed, Please come get her and Please HURRY!!!!
guil fisher I give this a 10 for sure. Cast is brilliant and script works for them all. My favorite actress Julianne Moore only a supportive role. Still loved her in this. Rebecca Mornay is terrific in this. She plays the role with such evil and always with this innocent look on her face. You love to hate her. Annabella Sciorra and Matt McCoy as the unsuspecting victims were well cast with the right touch of simplicity needed. Ernie Hudson was brilliant as the slow minded handyman. Also special mention should go to the child victim Madeline Zima who did a wonderful acting job. Kudos to the director and screenwriter. This is one of the best I've seen in a long time. But this is Mornay's film all the way. She is brilliant. I usually hate the female villains, but this time I loved her performance from start to finish. A must see for all viewers. It's on FLIX now. Was on LMN.
ElMaruecan82 Sorry for the lousy pun but a nanny-themed movie starring Madeline Zima was asking for it, now, let the review start. You have a good typical American Family made of a handsome blue-eyed scientist with a sexy beard, played by an actor whose fame didn't rise much since the film, a frail devoted asthmatic housewife who looks like the twin sister of Talia Shire with a nicer hairdo, played by Annabella Sciorra, and a smart little girl (Zima), that's for the initial picture, and this happy family is looking for a nanny to take care of their newborn son and brother, so that Claire (the wife) can take care of a greenhouse project. Kind of a boring premise ... but there's more spicy elements about this family, and it's all wrapped up in the first 15 minutes, like a script school-case.During a visit, Claire was victim of sexual abuse from her gynecologist, she sued him, other mothers complained, he killed himself, his wife played by Rebecca De Mornay didn't inherit the money and what's more, she has a miscarriage in the process, and become permanently sterile. To call it a strike of 'bad luck' would be the understatement of the millennium. Still, in her bad luck, while watching the news, she could catch the name and face of that woman who was indirectly responsible for all the personal mayhem she went through. You gotta wonder what the TV and police were thinking. Anyway, now, guess who's gonna offer his services for the nanny job?Good thriller always rely on simple concept. "The Hand That Rocks the Cradle" is no exception, it was an unexpected hit in 1992, the same year of a similarly themed film "Single White Female". Both are based on the same "Stranger Within" concept, when the lives of an ordinary family or group of persons are affected by the entrance of a next- door stranger, and it is a source of heart-pounding psychological thrills that was made started with "Fatal Attraction" and "Misery". The "Stranger Within" thriller is almost a synonym of 'fatal attraction'... in fact, the film could have as a tag-line "Fatal Attraction with a Nanny", just like "Single White Female" was "Fatal Attraction with a Roommate".So, there are reasons though why this film wasn't as memorable as the one with Glenn Close, the surprise effect asked for more tricks and it's likely that the ones used in the film never really catch the audience off guard. Rewatching the film myself after 15 years, I realized that the realism, as used in Curtis Hanson's film, was made of the self- canceling effect between things happening too conveniently well for the villainess for the first three quarters, and then for the good guys in the last one. The evolution of the narrative is so schematically well-oiled that even the greatest effects are still attenuated by their predictability. It wows at times but hardly with a major 'w'.Just to give you an idea, my younger brother who has seen less movies than I (ten years younger) immediately guessed that the big black retarded guy (played by the only Ghostbuster whose name is hardly remembered) was gonna be the last-minute hero, needless to say that he harbored a triumphant smile when at the climax, the poor daddy broke his legs and was immediately disqualified from the final confrontation. Anyone could've guess that but he also predicted that the slutty evil baby sitter would frame him so that he can be expelled from the house, and that was impressive.He still enjoyed the film and I still did, but it is true that, suspension of disbelief was too demanding. So many things go totally wrong as soon as Peyton, the baby sitter makes her entrance that it's a wonder how Claire can't reassemble the pieces of he puzzle. She wants to wear a sexy dress, but she finds a last-minute stain and then puts the something that looks like extracted from the wall cover of a grandma's house. But let's say she's naive and at least, the character of the friend Marlene, played by sexy Julianne Moore never really trusted Peyton, but then how about a missing application letter, how about the sudden change of behavior of her daughter. But let's just say that, given how these tricks work, and how efficient they are in their frustrating effects, I accept them for the sake of what I expect from a B-movie thriller.Still, there are three things I can't really forgive and that could've been easily avoided, Peyton could have faked a resume, after all the troubles that affected Claire's family, they would take some precautions and not let any stranger entering their world, just like that. Secondly, I don't think a woman who didn't have a child, much more sterile, can breast-feed a baby, and last but not least, the depiction of asthma. Not only these wheezing noises were annoying because they were never matching Clair's chests' movements, but when you decide that your movie will have a main character suffering from asthma, is it too much asking some tutorial about the proper use of an inhaler. All she did was making a quick click, she never put the inhaler in her mouth and it didn't feel as if she was inhaling anything.If you care for realism, the film might not be your cup of tea, but that's not a reason to dismiss it, "Fatal Attraction", as a milestone as it was (and it wasn't) had its more-or- less ridiculously unrealistic parts. So, Hanson's film is enjoyable for what it serves well, a solid villainous performance, and an eerie sometimes sexy atmosphere that creates a well-packaged average psychological thriller, that's all, but as far as realism is concerned, well, it's not a good sign when a film is an inspiration for these hilarious '100 THings I learned" threads ...
gamay9 I may be sexist, but, at the time, Rebecca De Mornay was the hottest actress in Hollywood. Eventually, Roger Vadim got to her and her career slid due to gratuitous nudity in an awful, but unrelated, remake of 'And God Created Woman.' De Mornay is a fine actor, as is the entire cast.....and, Rebecca was drop-dead ten beautiful....the entire package.The script is excellent, as is the photography.....and, the film moves smoothly.I may be enthralled with De Mornay, who I consider to be in the top ten of alluring actresses of all time. This would rank her up there with Hedy Lamarr, Elizabeth Taylor, Nicole Kidman and Diane Lane, to name a few.