Mark Honhorst Forget about the Tarantino piece of $%!@ that came out recently, this is the original Inlglorious Bastards, and it's way better! It has almost nothing to do with the Tarantino garbage, which is one of the things that makes it good. Instead of having long, boring conversations, we get scenes that every guy like me loves: Violence, shoot-outs and gore galore! This is an action movie, and is therefore entertaining, unlike, you guessed it, the Tarantino movie with the same name! Plus this one's only 99 minutes long, unlike Tarantino's never ending turkey, and every minute is filled with action, one liners, and fun! There's not much more I feel I have to say. Inglorious Bastards 1978=Win! Inglorious Basterds 2009=Fail! I highly recommend this movie to anyone looking for a breakneck paced action movie. I highly recommend Tarantino's "film" of the same name to anyone who wants to be put to sleep.

edwardrevans I viewed this film as i'm a great fan of the 2009 Quinten T version so I thought i would check of this as a reference. The two films are two different pieces of work except for one thing which is they are beautifully shot. This version really can't make up its mind what it wants to be as the plot somewhat changes as it goes along and is quiet boring in parts as there are sub plots and an abrupt clumsy ending however as a B movie its one of the better ones you could see. The acting is fine its just the script that lets it down. The Dirty Dozen has a start middle and end so does Inglourious 2009, still worth watching once.

lastliberal In a nutshell, Enzo G. Castellari's legendary 1978 Eurocult classic "The Inglorious Bastards," which brought together "Walking Tall" star Bo Svenson, blaxploitation legend Fred "The Hammer" Williamson, and a whole lot of dead Italians is a naked chick war film that was an inspiration for Quentin Tarantino.In fact, there is supposedly footage in Quentin's film borrowed from this one (I haven't seen the new version yet), and Director Castellari (Keoma, Cold Eyes of Fear) is an actor in the new film.To say that the body count in this film is high is a misnomer; almost as many people died in this film as in the whole war.Like The Dirty Dozen, it is about a misfit group of deserters that is charged with an extremely dangerous mission to capture a German rocket.One heck of a bang up ending.

zardoz-13 The prolific Italian helmer Enzo G. Castellari of "Any Gun Can Play "and "Payment in Blood" not only made terrific Spaghetti westerns, but he also made one of the best European B-movie World War II thrillers. This half-dozen "Dirty Dozen" actioneer consists of court-martialed American soldiers and a reckless Air Force fighter pilot. In 1944, they manage to escape from an armed escort of MPs after an enemy aircraft spots them. A German fighter attacks the convoy, and the MP guards actually shoot the prisoners as they jump out of the trucks for cover. Strapping tall blond Bo Svenson is cast as Lieutenant Robert Yeager; he was a pilot who used his P-51 Mustang to visit his girlfriend one time too many. As Private Fred Canfield, Fred Williamson endures racial slurs and prejudice from both sides. Williamson smokes his usual cigar and wears his handle-bar mustache. Once these fellows are free of the MPs, our anti-heroes head for neutral Switzerland. Along the way, they pick up a German deserter who agrees to lead them to Switzerland. Later, he dies tragically when he links up with a group of commandos and then is shot in the back by them. The deserters kill the commandos as revenge for their killing the German. Later, our heroes discover that they have killed Americans masquerading as Germans. Naturally, when the French Resistance come upon them, the Resistance believes that the deserters are in fact the commandos that they gunned down for killing the German. Consequently, they find themselves replacing those commandos to help a stubborn, hidebound colonel (Ian Bannen of "The Hill") accomplish his mission. Along the way, they allow the Nazis to capture some of their number so they can storm a stronghold and acquire motorized transportation. The Colonel and his commandos had trained to steal the gyroscope from the guidance system of a prototype of the new V-2 rocket warhead being transported on a Nazi train. Grudgingly, the Colonel uses them in place of his men. Our heroes are sympathetic and charismatic. "Eagles Over London" composer Francesco De Masi provides an atmospheric musical score, and Castellari orchestrates several machine gun clashes. He does an exceptional job with the firefight at the train, particularly with the use of slow-motion. The last battle displays energy with to spare with Nazis whirling as bullets riddle their bodies. At one point, they blow up a bridge, and one of the deserters makes a desperate "Great Escape" bid on motorcycle to pass along information to his comrades. There are couple of surprises and the guy who survives is not the one that you think will live. The matte work is reasonably well done in the long shots for this low-budget war epic. Five men wrote the screenplay. The train crash in the final quarter-hour is obviously a miniature exploding but looks pretty cool. "Inglorious Bastards" is diverting fun. Unfortunately, Quentin Tarantino's remake is nowhere as entertaining as Castellari's straightforward version. The graphics on the opening and the end credits was done by the same man who did similar graphics on Sergio Leone's "Fistful of Dollars."