yeodawg Sam a Cherokee Indian has the world by the balls, he has everything all figured out. He's got his own Detective Agency, which is about to be bought up by Pinkerton Security agency and they're about to make him an agent. With his fancy clothes and motorbike he's spinning his wheels tracking down squaws that escape from the assimilation schools. He tells this to Charlie after he captures him. calling him a red-n-word, and how proud he is that he shrugged off his Native American trappings. Charlie tells them about another run-away Indian who's wanted for double murder. Now SAM isn't new to racism and seems to deal with the anti-Indian sentiment around town, in fact he profits off of it. On their tale is another bounty hunter McCOY the local Sheriff who isn't shown that much respect either. McCOY is world renown Indian killer and heroine addict. He reveals Sam's past telling him "Half the Indians I get credit for, were killed by you". Sam who is running from his passed is forced to face it.

emdragon The Only Good Indian is a tribute to the plight of the Indian during the struggles of the early 1900s. The story is artistically crafted by director Kevin Willmott who creates a constantly moving aesthetic paradigm indicating the kinds of injustice man must suffer unto man in a period of upheaval for the Native American. It is an extremely human picture that carries the weight of a whole people and raises them up to a level of justice. I loved this movie. There are so many little deft touches that come home to the human heart. A young Indian boy, Charlie (played beautifully by Winter Fox Frank) takes off from his indoctrination school, and gets hunted down by self taught detective, Sam (Wes Studi), who has hopes of becoming a Pinkerton detective. Charlie must go back to school where Sam wants to take him to collect his $10 for bringing him back on the motorcycle and sidecar that Sam has purchased from a catalogue. Along the way to bringing Charlie back to his school he sees a Pinkerton reward poster for $1000 for another runaway Indian girl, Sally, who has been accused of murder (though it turns out she killed an orderly at an insane asylum who had raped her). He finds her living in a church where she has become beloved by the pastor and his wife. Sam takes her with them. The white man's ways have nearly convinced Sam to play the game the way the new world of white man's order would have it. Along the road to bringing back his captives however, Sam gets reminded in savage ways of the white man's brutal ways. He is slowly remembering his native beginnings, as Charlie and Sally remind him in subtle ways how he once must have believed. Along the way, he turns down a Pinkerton job as he helps Charlie spring Sally from jail, runs from an ever following Sheriff, and gets re-composed toward his own true heritage. With fine cinematography and a very good cast, this picture had me teary eyed near the end, and gave me a glimpse of real sympathy into the native American heart.

johncp3 After accidentally catching this fine film, I found myself seeking a copy to show in the U.S.History courses that I teach. While not Native myself, I do find that you cannot understand the problems of the modern US without taking a close look at the status of Blacks and Native Americans in a land built on the concepts of freedom, respect for culture and equality. The period detail is excellent. The archival images included in the film are striking and well thought out. The acting and plot elements very appropriate and excellently developed. The characters are complex and a very good representation of how individuals of that time would have functioned. The topic and supportive info detail an environment and actions by citizens, commercial parties and the government that are amongst the worse in US History. While I could see how some who would, by cultural background be forced to relate to the negative characters in the film, might desire to keep these types of events buried in the past. Exposure helps explain why we still have much to overcome if this society is ever really going to effectively blend.I recommend this for open-minded individuals who appreciate good historical fiction. Those leaning more towards revisionism might want to pull out their favorite copy of "Birth of a Nation" or "They Died with Their Boots On" (Good movies, but get real!

ejhutchaz What I have to say may be considered a "spoiler" if it deters anyone from watching this film. As a long time western movie fan, I always am first in line to view those films which attempt to give an honest (non-Hokeywood) portrayal of the Native American, and their struggle to survive the ruthless wanton destruction of their culture. I wanted to see this movie after viewing the promos, and also because I am a longtime fan of Wes Studi, who has brought a strong integrity to every performance. This film is certainly no "Dances With Wolves", and did NOT, IMHO, live up to its potential, or my expectations, because it couldn't make up its mind what it wanted to be - a cutting edge film about the way Native American children were brutally treated at the white man's "schools", - or just another hokey, cartoonish "Chase and Shoot-em-up", with a dime novel lawman played over the top by J. Kenneth Campbell. Unfortunately it tried to be both, with the "dime novel" side dominating, and in the process seriously diluted the impact it could've had. I will say that Winter Fox Frank was excellent in his part as the runaway boy, and Wes Studi did the best he could with a part, and a script, that was NOT up to his level of talent. Watch it if you must, but know it's 115 minutes of your life you will never get back!!