Giallo Fanatic It was overall good, the acting was good, the story was good, the characters were interesting and the fight scenes were good. Leung Kar Yan is as usual a pleasure to watch on screen. His acting often remind of that of another great actor and that particular actor I have in mind is Toshiro Mifune. What Leung and Mifune have in common is they are able to act outrageously but still convincingly. Their energy often comes clearly across the screen. Although I gotta admit Mifune is a far better actor. But the most impressive thing about Leung is he does not have any martial arts background, making the fight scenes more impressive. Sammo Hung, what can I say? He is as good as ever. Except I felt his character was a little incoherent. His character was fun but it was a character who seemed to lack direction, like as if the character was thrown in as an afterthought to make the plot more coherent. There was nothing wrong with Hung's acting and he is more than often good at portraying those kind of characters. The character he was portraying just seemed a little unnecessary.The story was good, but what stalled the movie a bit is the incoherent plot. The plotting of 'The Victim' is a little incoherent compared to movies such as 'The Iron Fisted Monk', 'Warriors Two' or 'Knockabout'. What made it kind of incoherent is its general lack of focus. It jumps from one scene to another with no apparent focus except for going to fight scenes and slapstick comedy. I like both, but what set the Hung movies from the other Kung Fu movies are the focused plots in my opinion. Well, it is not for story or plot movies like this are made but I often feel a solid plot with good acting and fight scenes combined with sufficient production value are what make a solid kung fu movie. So since 'The Victim' lacks a more coherent plot it is not completely solid but it is not bad either. Overall I think this movie has re-watch value and should be worthy of being part of a collection. After all it has some pretty good fight scenes, interesting story, good acting and not bad production value. Don't miss it, any kung fu movie with Leung Kar Yan and Sammo Hung are worth watching. 7/10

moviedirector_rob If you are a Kungfu classic fan, you must get this film. Warning, you must be patient through the first 10 minutes of this movie. If you can survive the first five minutes, you will definitely be rewarded. This movie has absolutely great fight scenes and a cool story. As the movie progresses the fight scenes become more and more vicious. Why this movie is never listed among the great classics like, 5 deadly Venoms, Master Killer, Snakefist and the monkey shadow and so on, is baffling. Though the movie starts pretty silly, things get pretty serious and stay serious for the remainder of the movie. For Icing on the cake, Wilson Tong makes an appearance. I am absolutely positive that it has the best final fight scene in Kungfu cinema History. A Must See!

movieman_kev Chan-Wing (Sammo Hung) is an arrogant young kung-fu fighter who goes around testing random strangers to see if he can find someone better than himself who can be his Master. After some searching he finds passive Leung Chun-Yau (Ka-Yan Leung) who refuses to be Chan-wing's Master despite his undying and comical determinacy to get Leung to do so, until an ongoing family feud threatens to consume Leung's relatively peaceful life. The light hearted comedy of the first 30 minutes turns to a slightly darker, but none the less thrilling tone for the rest of the film. Excellent choreographed fighting sequences, an engrossing story, and a touch of humorous comedic moments make this a delight for even the most casual Sammo Hung fan. Not to discount Ka-Yan Leung in the least, as he's simply amazing in this film as well.My Grade: A DVD Extras: Commentary by Ric Meyers and Bobby Samuels; a compilation 'Martial Arts Theater' trailer; and Trailers for "Running out of Time", "Dragon Inn", "Armageddon", and "the Duel"

sarastro7 Lightning Kung Fu, a.k.a. The Victim, has a remarkably good and clear plot (besides all its comical elements). It is structured as two parallel plot lines which converge at the end. First we have director and actor Sammo Hung's character, who's a young, arrogant kung fu adept running around challenging everybody, in order to find someone better than himself, so he can make that person his master and learn more. He goes through all the local masters, incl. a feeble Shaolin grandmaster, before finally finding Chun Yao (the excellent Ka Yan Leung), who lives with his wife in a house outside of town. Chun Yao is the best kung fu practitioner in the district, but is strangely timid and passive, and he rejects Sammo's persistent pleas to become his student. So Sammo decides to hang around his house, sleep outside, and just generally stay, much to the annoyance of Chun Yao. Soon it becomes clear that Chun Yao was adopted by the local kung fu master, and throughout his upbringing was hated by this master's biological son, Jo-Wing. On Chun Yao's wedding night, Jo-Wing tried to rape his new wife, Yoo-Yi, and this led to Chun Yao and Yoo-Yi's leaving the household to live outside town. Chun Yao can't do anything about Jo-Wing, because he is his brother, and because he accidentally blinded Jo-Wing on one eye when they were children, so he is bound by honor to respect his elder brother no matter what. That really is the theme of the story: where do the limits to honor-bound obligation go? How much humiliation and abuse can Chun Yao suffer at his step-brother's hand before it becomes too much? Quite a great deal, it turns out. Like in some of his other movies, the master fighter Ka Yan Leung plays a somewhat cowering character who takes a lot of abuse before finally, after it is in fact too late to save his loved ones, takes action. Considering how great his kung fu skills are, this is not a very satisfactory way to tell (and end) the story. However, at least there *is* a clear storyline (which is relatively rare in second-rate kung fu movies), and the quality of the fight scenes is very good, especially the climactic sequences at the end.Anyway, Sammo's character has a major role at the end also, where we find out that he wasn't quite what he pretended to be. The story has good twists and turns, and just before the end, Sammo actually succeeds in making Chun Yao his master.All in all a good movie, but with notable shortcomings. The story is good and clear, but some developments are not satisfying. I rate this movie a 7 out of 10.