mark.waltz Episodic and often boring, this Western saga of ambition, greed, lust and betrayal lacks in strong character development and passion. Don Murray, on the quick rise after "Bus Stop", seemed to fall off a mountain cliff with this one, playing an ambitious cowboy who longs to make something of himself but seems more like an over ambitious kid with the drive but not the dream. He creates an instant enemy in more mature rancher Richard Egan, gets a loan from alleged town bad girl Lee Remick, betrays her by marrying banker's niece Patricia Owens, and in spite of maturing, still seems to be a boy playing a man's game as he takes interest in local politics. Along the way, his actions bring on a wave of violence in his Montana community, but in 90 minutes, there's nothing but snippets of situations, and many plot related questions go unanswered.I'm sure this looked gorgeous on the big screen, but it's a huge emotionally empty mess when viewed. Perhaps the mistake is in the editing, as there seems to be chunks of important plot missing. That makes the characters rather undeveloped and weakens the overall impact and their performances. I read that Lee Remick considered this her weakest film, ironic considering that she's the most interesting character in the film. Richard Egan, so noble in the same year's "A Summer Place", plays an absolutely despicable character here, but then again, Murray's character isn't all that likable either. In the wake of other epic westerns with much soap opera as part of their plot, this one is perhaps the most banal, and even with a catchy theme song and musical score, is as empty as they come.

bkoganbing These Thousand Hills casts Don Murray as a young cowboy who arrives in Montana broke but with an idea. Rather than have cattle feed on the open range in winter left to the elements, he wants to grow and store hay for winter feed. In order to do this he romances two women, banker's niece Patricia Owens and saloon girl Lee Remick. Murray's both a hard worker and a fast worker.This film highlights a growing trend in the Fifties toward adult westerns. They wouldn't yet show it on television, but that Lee Remick is a prostitute is not left to any imagination. In fact even though Remick gave Murray the seed money for his ranch, Murray then objects to pal Stuart Whitman marrying one in Remick's friend Jean Willes.And Murray's attentions to Remick among other things have made him a bad enemy in saloon owner Richard Egan. Basically you have all the ingredients of the story of These Thousand Hills.The film really belongs to both Murray and Lee Remick who gives quite a portrayal of a battered woman, again most unusual for any picture in the Fifties let alone a western.As entertainment the film still holds up well today, but I'd keep it from the littlest ones.

oldblackandwhite These Thousand Hills is a melodrama dressed up as an epic Western in the tradition of The Sea Of Grass (see my review). A sprawling, handsome production with an engrossing story line, it incorporates many traditional western elements, including a cattle drive, a horse race, a nice girl-naughty girl rivalry, and a climactic showdown. Well-turned-out sets and authentic costumes compliment the scenic, on-location, wide-screen, color cinematography. These fetching production values are all wrapped around a rags-to-riches story emphasizing drama and character development rather than action. All about a dirt-poor young cowboy (Don Murray) determined "to make something of himself" no matter how much suffering he has to endure himself or how many friends he has to step on to get to the top. This picture's best asset is the beautiful, vivacious, and talented Lee Remick, as the good-hearted saloon girl who gives Murray his start. Only third billed behind Murray and Richard Egan, she seems to be the real star of the show. It's a shame she couldn't have had a leading man of matching charisma and talent. Don Murray surely runs a good race with Richard Carlson as the blandest leading man of all time. His lack of virility must shoulder much of the blame for why this well-mounted Western ultimately lacks punch, along with the usually exciting Richard Fleischer's flabby direction, and a less than inspired adaptation of A. B. Guthrie's novel by screen writer Alfred Hayes. Fortunately the rest of the cast helps to make up for Murray's inadequacy. Egan, usually wooden in his more frequently seen heroic roles, is quite spicy here as a sneering villain. A fine cast of supporting actors, all familiar faces in the celluloid West, includes Albert Dekker, Harold J. Stone, and Royal Dano. Brawny Stuart Whitman has a major role as Murray's shady but loyal pal. It would have been a much better picture if he had had Murray's role.As it was These Thousand Hills was not bad. It was fun to watch for the fine production values, the engaging if slow-moving story, and Lee Remick, who both looked good and acted well. Unfortunately it never lived up to the promise of the exciting bronco-busting and horse racing scenes in the opening reels. Solid, if uninspiring entertainment from an era when Holloywood was starting to forget how to make them like they used to anymore.

Homeric Terrific production values. Great cast. Lackluster script. Terrible soundtrack. Something missing. Too clean and tidy. Not realistic in a strange sense. A melodrama western? Not a bad film just not a really good one and certainly not as good as it should have been given the great cast. Lots and lots of clichés. Main character is not really likable. Many loose ends. Underdeveloped characters. Worth watching for Lee Remick and Patricia Owens.I can't put my finger quite on the reason why this film falls flat. There just isn't any sizzle or scenes that grab you. Perhaps it is because the role of Latt (the main character) is not sympathetic. He seems to change from a decent guy to a heel almost overnight, forgetting about his true friends. Then he redeems himself instantly at the end. People don't change back and forth and back again like that.