851222 Greetings from Lithuania."Thief" (1981) is a great movie. Amazingly directed by one of my all time favorite Michael Mann, this is a kinda simple story, yet amazingly told. This has to be one of the two best performances ever by James Caan ("The Godfather" comes in a first place). First feature film of Michael Mann, the ones whose movies i always liked to say the least.All in all, "Thief" is a pure movie gem. Great soundtrack, simple yet very involving story, great script and amazing work by Michael Mann - this is a one superb movie.

betty dalton Many gangsters movies have tried to look cool, but end up as wannabees. "Thief" is the real thing. Or as close to it as I have seen it. The screenplay was actually written by an ex-thief and the tools used in the heist were real and were provided for by ex-thiefs who were used as "technical advisors" on this movie.Director Michael Mann's debut has everything in it that a cool heist movie needs. It is probably for that reason that this classic is on Quentin Tarantino's list of favorite gangster movies. Starring James Caan as a guy you really really dont wanna mess with, playing a specialist in cracking high end security safes. After a big heist James Caan gets cut out by a crimeboss of his deserved share of the loot and responds by threatening him that he has got 24 hours to deliver his share or "he will wear his ass as a hat"."Thief", is a gangster classic, wherein men are real men. And James Caan is as cool as it gets. But Caan's character is still a human with needs and imperfections. A part of the movie is dedicated to his wish to settle down with a wife and kids and get out of the heist business. I think the time given to learn to know Caan's character is essential. It is done with broad strokes and in short conversations with his wife and friend. But those words are very powerful and I must restrain myself to not literally copy and paste them into this review. The dialogues in this movie are really to die for. Caan co produced this movie and I truly think it is one of his best roles ever. Great supporting role of James Belushi too. "The hell with me, the hell with you, with everything" is James Caan's motto. No attachments. Walk away in a second and burn everything behind you. This cold gangsters view of life is also a recurring theme in another classic of Michael Mann called "Heat", starring Robert de Niro and Al Pacino. You GOTTA see that movie if you are into heist movies!"Thief" features a mesmerizing soundtrack by Tangerine Dream. Music has always played a lead part in ALL of Michael Mann's movies. This soundtrack really is gorgeous and creates a constant mood of alienation. It can become too dominant sometimes, but often the music really enhances the suspense."Thief" is a slowburner. Tension is built up slowly. The climax only comes at the very end. Don't expect big shootouts or action movie heists with "Mission Impossible" break in schemes. Everything is done like a real professional heist man would do it: low key. However James Caan's character is nothing close to low key. The man is a volcano waiting to errupt. And explode he will...

Spikeopath Thief is written and directed by Michael Mann, who adapts the screenplay form the novel "The Home Invaders" written by Frank Hohimer. It stars James Caan, Tuesday Weld, Robert Prosky, James Belushi and Willie Nelson. Music is by Tangerine Dream and cinematography by Donald Thorin.Frank (Caan) is a tough ex-con and expert jewel thief. He's working his way out to a normal life, but after being lured to a big job for the mob, he finds plans on both sides severely altered.For his first full length theatrical feature, Michael Mann announced himself to the film world with some distinction, and in the process showed everyone what style of film making makes him tick. Thief is a film of stylised grit, visually, thematically and narratively. Set and filmed in Chicago, Mann, aided by Thorin, shoots the story through pure neo-noir filters.At nighttime it is all a beautifully neon drenched haze, where the streets shimmer with dampness, a dampness brought about by the rain and god knows what else! By day there's a sweaty hue, a feeling that the heat is well and truly on, that even in daylight Frank isn't safe, his dreams may be a touch too far to reach. And no matter what the scene or scenario, Tangerine Dream are laying over the top a throbbing pulse beat, it's like The Warriors trying to get back to Coney Island, the music has a sense of dread about it, that danger is at every corner.This part of Chicago stinks, it's a vile and corrupt place. Dirty cops everywhere, underworld criminals ruling the roost - Hell! You can even buy a baby if you want one. Is it any wonder that Frank just wants to settle down with a wife and child, to walk barefooted in the sea, to have domesticity? But Frank, as smart, tough and savvy as he is, seems to thrive on the edge of things, with Mann giving him earthy and honest dialogue to engage us with, marking him out as an identifiable every man protagonist who just happens to be an exceptional thief.Mann's attention to detail is on show straight away, none more so than with the two key safe cracking jobs that are undertaken. Using genuine jewel thieves as technical advisers on the film, these sequences ooze realism, from the tools used, the pre-planning and the execution of the takes, it smacks of reality and does justice to the genuine feel of the characterisations brought alive by the superb cast. And finally Mann delivers a finale of ambiguity, a noir shaded piece of abruptness, an ending that perfectly fits the whole production. 9/10

witster18 I didn't see this film until 2013. It blew me away. Literally glued to the screen. Purchased immediately. It's a film that I'll always treasure.Today, films like "Drive" use the same template, and even though some of those films are really good, they're no "Thief". Michael Mann was just starting to develop his style, and it's evident in every frame, every scene.The acting is top-notch. Caan is fantastic. The action sequences a balance of realism and style.Mann's use of darkness and blue and red color is awesome. He'd later overdo-it for the nearly as good "Manhunter", but here it's a subtle touch that really adds so much to the film. There's other subtle touches as well, with the editing and sound. Everything here seems so properly calculated. The style doesn't interrupt the film, it adds standing hairs on your arms with little nuances. The music is great too.Just see it! Please. They TRULY don't make them like this anymore. You'd be hard pressed to find a film with such a beautifully restrained use of style and realism, bolstered by such powerful human emotions, without seeming pretentious in any way. This is raw grit on film stock.Somebody cared about this one!95/100I don't hand out 10's for just anything either. This is the last film I rated a 10, and only the 42nd out of 3,400 I've rated on IMDb.(late edit: since viewing "whiplash" has been viewed and rated 10)