Neil Doyle
Although the musical interludes are on shaky ground, they're a lot better than what usually was done by the '30s Warner "Brevities" at another studio. In fact, a lot of imagination and creativity went into the making of this MGM short about an inebriated custodian of wax window models who sees them all come to life.GUS SHY is a vaudevillian who does his drunken act well, but the accent here is on what he sees once the window displays come alive. Especially interesting are "The Greatest Villains" featuring a very striking use of the Frankenstein creature, bearing a strong resemblance to Boris Karloff in the old Universal film.The songs are a weak lot but the imagination goes into the various antics of the live wax mannequins who go from window to window experiencing different settings and interacting with the various characters.Summing up: Inventive use of early Technicolor makes watching it worthwhile.
Michael_Elliott
Two Hearts in Wax Time (1935) ** 1/2 (out of 4) Technicolor short from MGM is a rather interesting viewing experience but for reasons you might not think of. The story centers around a drunk department store worker (Gus Shy) who has one too many and begins to think that the mannequin's are coming to life and doing music numbers. There are a few pluses here including the interesting set design and of course the beautiful color. The color really jumps off the screen and like many of these early Technicolor shorts you can tell someone went to great trouble to make sure the film was as colorful as possible. The music numbers are decent at best and to be honest I thought the best song as the drunken Shy doing "I'm Always Chasing Rainbows." Now, what makes this short so interesting is a brief appearance of Frankenstein's monster. Why is that interesting? Well, this short was apparently released before BRIDE OF FRANKENSTEIN yet the monster here is clearly "trying" to look like Karloff did in that film. However, there's actually a lot more because the monster is talking here and even samples some dialogue that would appear in the James Whale film. So, if the release date of this coming out first is true, then this here is the first film to feature the monster not only talking but also in color. It really makes you wonder if someone saw an early preview of the Whale film, if this was just luck or perhaps something else was going on.
bkoganbing
I guess the only thing you can call Two Hearts In Wax Time as a genre is a Musicalette. I'm sure the paying customers of the movie-going public enjoyed it back in the day.The film seems mainly to be a vehicle for the talents of Gus Shy who was a vaudevillian of some note and this was his next to last film appearance. Shy rivaled Ed Norton and Vince Barnett for playing inebriates on film. He's a custodian in a department store and while on a toot he sees the mannequins in the window come alive and do a few songs and dances.Such folks as Shirley Ross, Syd Saylor, and Sam McDaniel who had some substantial film credits are in this as well. It's an easy to take musical short or Musicalette if you prefer.
Matt Cyganik
When a department store custodian gets drunk, the short follows a night of hallucinating that the mannequins are alive.The musical ditty itself isn't very distinguishable from others of the era, although the "Greatest Menace Of Them All" bit is almost surreal it's content. Think of a preemptive to Herman Munster & The Penguin and you've got an idea of the 'menaces'.At 17 minutes, it's hard to take offense to the short, even if you don't like musicals. But the bookends about the alcoholic department custodian is at least a different approach to the musical genre set-up.6/10
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