Without You I'm Nothing

Without You I'm Nothing

1990 ""
Without You I'm Nothing
Without You I'm Nothing

Without You I'm Nothing

6.3 | 1h30m | en | Comedy

Sandra Bernhard stars in a studio version of her off-Broadway show, blending re-enactments of the original show's pieces with concept vignettes and 'testimonials' to underscore the relationship between a performer and an audience.

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6.3 | 1h30m | en | Comedy | More Info
Released: May. 11,1990 | Released Producted By: Management Company Entertainment Group (MCEG) , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

Sandra Bernhard stars in a studio version of her off-Broadway show, blending re-enactments of the original show's pieces with concept vignettes and 'testimonials' to underscore the relationship between a performer and an audience.

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Cast

Sandra Bernhard , Steve Antin , John Doe

Director

Joseph Yacoe

Producted By

Management Company Entertainment Group (MCEG) ,

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Reviews

T Y At the time I recall being quite startled and amused by this movie. I referred to it as the most important movie I'd seen in ten years, and found myself bumping into people who said similar things. Bernhard has an unusually perceptive behavioral notebook. And she has shaped the bitter adolescent personality that we all had, into a corrosive, adult world-view. The two together provide a startling mix which may be too edgy for some viewers. (Hi Skip. I wish you weren't my brother so I could **** you!) Bernhards search for herself after returning to LA from New York, results in the immersive trying-on of various personas (all of which fit poorly) for our amusement, but enough of them involve acting out to appeal to a "black imperative" values system that the real barometer of her resituation is whether black culture accepts her. (It's been a while. Nina Simone comes to mind. And she has an impressive, solidly-built black lover in the movie) A pretty black girl attends the shows, and seems to be authorizing Sandra's faux-blackness, but ultimately rejects her.Just as Catholics deem themselves lucky to suffer for Christ, here Sandra depicts herself suffering at the hands of a black culture in which she craves a place; as if she cherishes her worthiness and her rejection. It's the only value system implicated in the films world, outside of Bernhards arty confusion.For a nation whose chief issues are racism and money, it's refreshing to see one of the 2 topics dealt with in an atypical way.
chetbakerrocks If you ever have the chance to see Sandra Bernhard live in person, you better move on it sweetie. I saw her last year in Los Angeles at the opening of her Everything Bad and Beautiful tour and i still can't believe that i was in the first row, and lucky enough to experience such a phenomenal show. She is now in New York with the show and it coincides with the release of her groundbreaking stunner, "Without You I'm Nothing". We have lost Richard Pryor, Lenny Bruce, Nina Simone, but Sandra is still with us. Patti Smith is missing in action, but not Sandra. Barbara Streisand continues to peep her head out once in awhile but Sandra more than makes up for where Babs leaves off. Okay, i want it known, Ms. Bernhard is a little of these influential entertainers and more. I really wanted to push this film because of its truth, honesty, humor, eclectic songs (ranging from Laura Nyro, Sylvester, Nina Simone, Prince), and a script that defines the decadence, joy, sadness, ups and downs of the 70's and 80's. It is my opinion that many (and i mean, MANY) comics have lifted, okay outright stolen, so much from this show if not from Sandra herself. I won't name names but come on, people, you and i know who they are. See, the thing is, Bernhard plays by her own rules. This movie shows, as does her live performances, that she is a performer who has stayed true to the old school of show business, as well as pushing forward. Her performances are reminiscent of smoky jazz clubs (during the time of Miles Davis,Coltrane,Monk), 70's TV shows, intimate cabaret acts and concerts that are reminiscent of everyone from Judy Garland to Joan Jett. Most comedians couldn't even touch where Sandra is coming from or going to. So, here i was, a year ago, watching Sandra at the Silent Movie Theater, in total awe and joy. I wanted to meet her after the show, give her something that meant something to me, that, hopefully would mean something to her. But i listen to my copy of Giving Til it Hurts, and just thank her in a prayer, of sorts for making me laugh, making me think, making me FEEL. You can't deny this lady's presence and you certainly cannot deny the talent that just rushes from the stage. She's still here, damn it, even after the release of Without You I'm Nothing, some 15 years ago. And she looks great, by the way. I know this firsthand, walking from the theater one audience member said to another, "She is SO FUNNY..and she still looks incredible!!! If you can't experience her live yet, please see this movie. As for me, I do hope that Sandra will see this. You've meant a heck of a lot to me, gotten me through some tough crazy times. If you can send me an email, please do. If not, knowing that you are still kicking it out and will continue to do so, is enough for me. Come on, people, give it up for the Lady!!!!
bkamolnick Sandra shows that she really has loads of talent in this quasi-concert film, a la Stop Making Sense.She is too-hip-gotta-go in attitude, but this is part of her schtick. The revelation here is her voice - which is absolutely lovely. The band and musical arrangements are very cool, and slyly swinging.The format of the film is very clever, and most of the pieces work wonderfully. When she announces that her true musical hero is Patti Smith any reservations I had crumbled, as they deserved to.She certainly captures the irony of her title. The film is absolutely worth seeing . . .
bucky-22 Did Sandra (yes, she must have) know we would still be here for her some nine years later?See it if you haven't, again if you have; see her live while you can.