Yes, Giorgio

Yes, Giorgio

1982 "A glorious uproarious love story."
Yes, Giorgio
Yes, Giorgio

Yes, Giorgio

3.8 | 1h50m | PG | en | Drama

A famous opera singer, Giorgio Fini, loses his voice during an American tour. He goes to a female throat specialist, Pamela Taylor, whom he falls in love with.

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3.8 | 1h50m | PG | en | Drama , Comedy , Music | More Info
Released: September. 24,1982 | Released Producted By: Metro-Goldwyn-Mayer , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

A famous opera singer, Giorgio Fini, loses his voice during an American tour. He goes to a female throat specialist, Pamela Taylor, whom he falls in love with.

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Cast

Luciano Pavarotti , Kathryn Harrold , Eddie Albert

Director

William J. Creber

Producted By

Metro-Goldwyn-Mayer ,

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Reviews

TheLittleSongbird Judging from what was said about 'Yes Giorgio' at the time of its release, this reviewer was expecting utter rubbish and a film bad enough to be among the worst films ever made.Finally watching it, as a singer myself, a life-long opera enthusiast and as someone who likes Luciano Pavarotti very much, 'Yes Giorgio' is not a great film, or even a good one. However, to me it was not that bad. Taken for what it is, which is essentially a vehicle for Pavarotti, it's okay, with some huge flaws but also enough charms to make it worth a one-time-only watch.Starting with the positives, 'Yes Giorgio' is beautifully shot and contains some positively gorgeous scenery, particularly towards the end. The music, which contains operatic favourites "Nessun Dorma" (Puccini's 'Turandot'), "Una Furtiva Lagrima" (Donizetti's 'L'Elsir D'Amore'), "Cielo e Mar" (Ponchielli's 'La Gioconda') and "La Donna e Mobile" (Verdi's 'Rigoletto') and popular classical songs "Ave Maria" (the Schubert version) and "O Sole Mio", is enough to transcend even non-opera fans to heaven, while the charming music score and the justly Oscar-nominated "If We Were in Love" complement beautifully.Pavarotti as ever sounds absolutely glorious throughout the whole duration of 'Yes Giorgio'. All the operatic arias (especially "Nessun Dorma" and "La Donna e Mobile", "Una Furtiva Lagrima" is also quite heartfelt) suit him perfectly as do "Ave Maria" and "O Sole Mio", his endearing personality too shines. Eddie Albert gives his usual solid performance, he's understated but looks as if he's having fun too. Although Pavarotti is the thing that people will remember, Albert gives the best overall performance in the film.Unfortunately, although Pavarotti sounds glorious and there is no doubting that he has a personality that radiates, his acting (which admittedly, with some exceptions, never was a strength of his) looks awkward and the amount of preparation and polish that went into the singing doesn't translate in the line delivery. He surprisingly (although he was not the best of actors, he always did have a charming rapport with his leading ladies) shares very little chemistry with the female lead Kathryn Harrold, or at least not a very natural or obviously amorous one. The romance is not very well written, being contrived and cloying, and Harrold's unbearably obnoxious performance is an even larger part of the problem, her character being written and performed in a way that makes one wonder what did Pavarotti's character see in her.The script has some sweet and amusing moments, but too many forced and nauseatingly sugary ones as well. The romantic dialogue was particularly squirm-inducing, so much so it beggars belief how it was approved beyond first draft. With the story, the predictability- with a very old-fashioned premise that worked just fine before with the right execution but not so much now- isn't the issue, but the erratic pacing and thin structure were issues and even worse was that it felt more an excuse to string along arias and classical favourites to show off Pavarotti's voice and talents. Sure the Mario Lanza films can be seen as guilty of this too, but the acting was more consistent in those films with better leading ladies and while the stories were among the weaker assets of most they were handled with more charm and emotion and easier to relate to, never did they feel exploitative in the way 'Yes Giorgio' sometimes did. With the acting, the only really consistently good performance came from Albert, the rest of the supporting roles are underwritten and the rest of the performers can't do anything with the material.Overall, okay for what it is and not as bad as its reputation but at the same time not particularly great or good. 5/10 Bethany Cox
ezlidblue-1 As someone else commented, this is a feel-good movie. It's got glorious scenery and the wonder-filled voice of Luciano! I've seen this movie many times and just saw it again this afternoon. I'd forgotten how much I miss Pavarotti's singing of Nessun Dorma and I need to get out the CD! It's a great movie to just while away the afternoon engrossed in fun and reverie. Eddie Albert is grand as the agent and a bit over the top, but all agents are just that anyway. The Italian countryside is gorgeous but nothing tops the balloon ride for the perfect view. If you need acting of Olivier proportion, this movie isn't for you. If you just want a flight of fancy and some wonderful music, watch this film. Just enjoy!
sharonhorney I saw this movie when it came out when I was 17 years old and into classic rock (still am)... I never liked opera before because I hate soprano voices, but he changed all that. He was adorable in the movie and had such an amazing voice. I heard on CNN that he died tonight at home of pancreatic cancer, he will be missed, and he definitely left his mark on this world.I hope to buy this movie if I can find it, watch and enjoy. *smile* Maybe I should head over to Amazon.com and have a look before it's sold out.
Tom Willett (yonhope) Hi, Everyone,I was fortunate enough to work as an extra in this movie. I was a doctor in the background in a hospital scene. The extras who worked with Pavoratti liked him. He was a pleasant, unassuming guy who spent a lot of time at the craft services table (snack table).There was one scene in the movie that had one quote which made the movie worth seeing from my point of view. In a restaurant setting, Pavoratti's character takes his date into a fancy, expensive dining establishment. He has rented the entire restaurant and they are dining alone in a huge room with musicians playing for them alone.The girl comments about how odd it is to be dining in such an enormous room without other diners present.I won't spoil it for you by giving his quote that makes this scene so wonderful. He says something that is one of my all time favorite movie quotes.He is a charming personality and I would have liked for him to make other film appearances. He could have been like a Burl Ives character who could have made movies that were not musicals as well as operatic films.Tom Willett