Richard Chatten This unusual title is familiar to most cinephiles as Oliver Hardy's one starring vehicle of the sound era without Stan Laurel; and aided by an excellent supporting cast he carries the film extremely well. Playing the beloved local doctor of the fictitious town of Carterville, Mississippi in 1870, the Southern setting well suits him, and provides him with a context in which to exhibit the same Southern courtliness without being the pompous buffoon he usually was when teamed with Stan Laurel. He gives a performance of grace and charm, even dancing a few steps with spouse Billie Burke, and shows a concern for the underdog that extends to the little black kid played by Philip Hurlic that is reasonably lacking in condescension for 1939, let alone 1870. While it doesn't even attempt to be as funny as Hardy's work with Laurel, the film is however characterised by the charm and lack of sentimentality which remain one the principal reasons that Laurel & Hardy's work has worn so well to this day compared to that of Chaplin.When you see Step'in Fetchit billed with his name 'humorously' spelled thus in the credits you fear the worst, although in the film that follows his mistress Billie Burke is actually dafter than he is. Hardy's comments about Southern segregation are later underlined without labouring the point by a fleeting shot of Hurlic, Fetchit & Hattie McDaniel watching the trial through the courthouse window rather than from the public gallery. This film is often spoken of as an ersatz Laurel & Hardy film with Harry Langdon filling in for Laurel, but Langdon's is really only a supporting role, although he acquits himself well, the old gestures from his silent films are still there, and it's interesting to both see and hear Langdon for once. Both he and Hardy look remarkably comfortable around Miss Zenobia, who plays the title role.

bkoganbing For those wondering what Oliver Hardy was doing in a film without Stan Laurel, we have to remember that Hal Roach created the team back in silent days when he had these two comedians both signed to contracts with him. Their contracts were negotiated separately unlike Abbott and Costello or the Ritz Brothers, etc. So with Ollie signed with studio again and Stan balking at terms, Hal Roach decided to pair Hardy with Harry Langdon who was trying to recapture the stardom he enjoyed in the silent era.Ollie is a country doctor in post Civil War Mississippi who lives with wife Billie Burke and daughter Jean Parker in genteel poverty. James Ellison, late of the Hopalong Cassidy series, wants her hand in marriage, but his mother Alice Brady forbids it as Jean's parents are just not her sort.Nevertheless Ollie and Billie try to help Jean with her romance, but Ollie gets himself entangled with traveling medicine show man Harry Langdon and his performing elephant Zenobia. When the pachyderm becomes ill, Ollie effects a cure and the beast's gratitude makes his life miserable.Though they were advertised as a team, Langdon and Hardy are not a team really in this film, though their scenes with Zenobia are pretty funny. They're like Abbott and Costello in The Time Of Their Lives, a comedy team in two separate roles in which they only interact occasionally. Actually Burke and Brady, a couple of veteran Broadway performers, have some scenes together and they're pretty good in and of themselves.Getting Alice Brady and Billie Burke was a casting coup of sorts for Hal Roach. Look at the rest of his cast which he got from the major studios, if he was to have a new comedy team, they would be launched properly.Of course Stan Laurel came to terms and Langdon and Hardy were no more. But Zenobia is a film filled with gentle humor and some good comic situations.

Clark Richards Plodding along clumsily through themes of race and class, 'Zenobia' is the movie equivalent of a television after school special that tries desperately to force feed its audience a plate of moral fiber for digestion. This morality feeding does not go down smoothly at all, even with a spoonful of humor provided by the antics of Oliver Hardy and company. Hardy is decent, but the humor in the film is never up to his standard and the preachings of the other plot lines is just incredibly lame.The irony of 'Zenobia' is that when it begins to preach, it comes of as comical, when it tries to be funny, it falls seriously flat. The problem I have in slamming this movie is that its heart seems to be in the right place, sort of. Besides, how can you hate an Oliver Hardy film?I spent most of my time laughing AT THE MOVIE. Hardy, a doctor by trade, explains race to his black child servant simply as being the difference between white pills and black pills. He mentions that the Declaration of Independence is made up of black, white, red and yellow pills. When Hardy asks the child if he understands, the child answers back, "No, Suh". What does Hardy mean? Is he saying that all pills are created equal? Hardy finally appeases the child's questions by bargaining a quarter to the child if he can memorize the Declaration of Independence. Well, that settles it. Now Hardy can go to the all white party where no colored people are allowed to attend.When Hardy gets to the party he is subjected to a bit of class-ism. Hardy squints a shade of disapproval, but is able to carry on happily enough until Zenobia the elephant crashes the party. Suddenly Hardy finds himself in a confusing lawsuit over the affections of an elephant or from an attempt to embarrass his daughter into not marrying into another family, or something, I'm not really sure.One thing is certain, this was the first film where the comedy duo consisted of Oliver Hardy being the skinny one.Pretty dire stuff. Stay away if you like comedy.

argento-4 I am a great lover of the Laurel and Hardy movies and so it was with some excitement that I was finally able to rent one of only two movies that Oliver Hardy made without Stan Laurel since their teamwork began (the other, Fighting Kentuckian, also stars another one of my favorite actors, John Wayne, and I enjoyed that one quite a bit). This however was a huge disappointment. It seemed to be Hal Roach's attempt at a prestige piece but it belies its poor roots. The story of a country doctor in the 19th century who treats an carnival elephant named Zenobia and then can't lose the elephant and its affections is poorly written, with little real humour. The performances are lackluster, with the exception of Billie Burke as Ollie's long suffering yet dim-witted wife. Her performance injects each scene she is in with the kind of manic craziness the rest of the movie aspires to but can't deliver. Another major bone of contention was the hideously racist performance of Stepin Fetchit as the servant, Zero. Ollie's later speech on equality can not even begin to make up for this truly offensive addition to an already poor movie. An early L&H sound short, Laughing Gravy, was included on the tape and showed us what Ollie could really do when given the proper material with Stan and I laughed out loud many times. I only wish that Zenobia could have made me do that just once.