Crime Story

Crime Story

1986
Crime Story
Crime Story

Crime Story

8.3 | TV-PG | en | Drama

The hard-boiled saga of hair-trigger cop Lieutenant Mike Torello and his obsessive pursuit of ruthless gangster Ray Luca.

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Seasons & Episodes

2
1
0
EP22  Going Home (3)
May. 10,1988
Going Home (3)

Torello and his men catch up to Luca in Mexico and force him to escape but they all get trapped inside a pilotless airborne plane.

EP21  Escape (2)
May. 03,1988
Escape (2)

Torello and his men save Danny from certain death while Luca is told by a top military commander that he is nothing in Mexico.

EP20  Pursuit (1)
Apr. 26,1988
Pursuit (1)

Torello and his men chase Luca to Mexico where they will get no help from the US Government.

EP19  The Hearings
Apr. 05,1988
The Hearings

Luca is finally brought to court on racketerring charges but the trial is postponed when a military emergency happens in Vietnam.

EP18  Byline
Mar. 29,1988
Byline

Torello's writer-friend plans to take down Luca by exposing him in an article.

EP17  Desert Justice
Mar. 22,1988
Desert Justice

The Justice Department must deal with crooked cops and feuding brothel owners when Pauli's prostitute-girlfriend is murdered.

EP16  Roadrunner
Mar. 15,1988
Roadrunner

While escorting a prisoner and his girlfriend, Torello is trapped in the desert and stalked by corrupt lawmen who want the prisoner.

EP15  Pauli Taglia's Dream
Mar. 08,1988
Pauli Taglia's Dream

In a dream Paulie recounts his and Luca's survival of the atomic bomb. After nearly perishing in the blast, Luca and Paulie are taken into federal custody. Delirious from his gun shot wounds and the blast Luca becomes totally on Paulie for their escape. Receiving aid from a federal agent in Manny's employ Paulie rises above his usual persona as he attempts to extricate himself and Luca from their current situation.

EP14  Last Rites
Feb. 09,1988
Last Rites

After Manny is stricken by a heart attack, Luca demands that he be the first heart-transplant recipient. Max convinces Steve to put a hit on Luca.

EP13  Protected Witness
Feb. 02,1988
Protected Witness

In return for the man's testimony, Torello offers government protection to a Chicago mobster with a contract on his life.

EP12  Femme Fatale
Jan. 19,1988
Femme Fatale

A Chinese agent dupes Torello into looking for her father while she smuggles plutonium out of the country.

EP11  Seize the Time
Jan. 12,1988
Seize the Time

Torello cannot identify the source of a money-laundering operation. Clemmons reveals his suspicions about Iris's new casino partner.

EP10  Moulin Rouge
Jan. 05,1988
Moulin Rouge

The Justice Department tries to deal with troubles at a new nightclub - including bombings, extortion, and racial threats - owned by a beautiful black woman.

EP9  MIG-21
Dec. 15,1987
MIG-21

A defecting Soviet pilot becomes custody of the Strike Force, which learns of plans to use him in a spy swap.

EP8  Love Hurts
Dec. 08,1987
Love Hurts

Luca falls for an actress in a movie he is financing and discovers she is more than even he can handle.

EP7  Little Girl Lost
Nov. 24,1987
Little Girl Lost

An investigator searching for a man's girlfriend, who happens to be Weisbord's granddaughter, is murdered before he gives information to Torello. Luca offers a drug-addicted Abrams a position on his staff.

EP6  Robbery, Armed
Nov. 10,1987
Robbery, Armed

A Chicago thug, preparing for the heist of a Las Vegas casino, shoots Krychek on the eve of Torello's birthday.

EP5  Shockwaves
Nov. 03,1987
Shockwaves

Luca returns to Vegas with immunity to work for the US Government, causing revenge-minded Abrams to resign in frustration and Torello unable to get near Luca.

EP4  Atomic Fallout
Oct. 27,1987
Atomic Fallout

Torello follows a crazed killer into Mexico, unaware his quarry will lead him to an arms-for-drugs operation run by an alive-and-well Luca.

EP3  Always a Blonde
Oct. 20,1987
Always a Blonde

The Senterros, a family of Mexican cattle ranchers, controls the marijuana trade, so Torello's unit sets up a sting operation, but detective Joey Indelli leaves to try to save a callgirl from her sadistic pimp.

EP2  Blast from the Past
Sep. 29,1987
Blast from the Past

Torello confronts his feelings for Julie when she asks him to rescue her kidnapped husband, who is a doctor forced to tend to one of his injured kidnappers.

EP1  The Senator, the Movie Star, and the Mob
Sep. 22,1987
The Senator, the Movie Star, and the Mob

An overzealous senator outrages crime bosses by subpoenaing them to appear before an organized crime commission. An actress with a shady past falls for Torello.

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8.3 | TV-PG | en | Drama , Crime , Mystery | More Info
Released: 1986-09-19 | Released Producted By: New World Television , Michael Mann Productions Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

The hard-boiled saga of hair-trigger cop Lieutenant Mike Torello and his obsessive pursuit of ruthless gangster Ray Luca.

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Stream Online

The tv show is currently not available onine

Cast

Dennis Farina , Tony Denison , Steve Ryan

Director

Gustave Reininger

Producted By

New World Television , Michael Mann Productions

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Reviews

TonyCamonte84 The 1986 NBC drama 'Crime Story' is often credited as a predecessor to today's greatly serialized TV show such as 'The Sopranos' or 'The Wire', and as the prototype for this kind of series whose story-arcs span multiple episodes. Set in the 1960s it's about policeman Lt. Mike Torello and mobster Ray Luca who rises through the ranks. The first season takes 22 episodes to tell their story, however – being among the first shows to not be completely episodic – it is not as brave in its approach as the shows that would follow it are, and there are a lot of episodic stories weaved into the overarching plot. The show still feels quite episodic because of it, and you can tell that the writers at the time didn't feel the viewers would be able to appreciate a single narrative over the course of about 18 hours. This is especially obvious with the inclusion of season 1 'episode' 12 "Crime Pays", which is nothing but a 45 minute recap of what had happened in the previous 11 episodes. There are other moments later in the show, as it generally declines quite a bit, when there are long flashbacks, too.As far as I'm concerned that's a blemish for the show, as it insults the viewers' intelligence, even though the times and their viewing practices might have warranted that. The show does have a bit going for it, though, other than retrospectively exploring the beginnings of today's great shows' narrative structures. It features some very good acting, especially from Dennis Farina (playing Lt. Mike Torello), and Jon Polito, whose character Phil Bartoli doesn't get enough screen-time, though. A young Julia Roberts has a guest role in one of the episodes, too, as well as Kevin Spacey and other great actors. Also, there's some fantastic work being done behind the camera. Abel Ferrara (Bad Lieutenant, King Of New York, The Addiction, …) directs the two episodes spanning pilot and Michael Mann (Heat, The Last of the Mohicans, …) produces the entire series.It's quite evident that this show was made in the 80s, and it feels like the 1980s 90 percent of the time (not only because of the constant anachronistic 1980s score), even though its story takes place in the 1960s, but that doesn't really deter from the production quality of it all. Where the show – at least for me – ultimately falls short of being a great one, though, is in the writing. There's just not enough substance to it. The story definitely has the potential for it, as Michael Scorsese later showed in 'Casino', which was inspired by 'Crime Story', as he himself admitted, but the show doesn't quite live up to it. The episodic elements don't help, but in the end it comes down to the characters not being refined enough. Torello and Luca are interesting enough in the beginning, but character-wise they stay where they are for the rest of the series. They are mainly identified by their hatred for each other, their ambition and their hotheadedness. Unfortunately, there's little beyond that. We get to see them with their significant others and similar things like that, but little is done to further the characters anyway, and in the end there's just too little to care about, especially when the main storyline regularly gets interrupted by often uninspired cases-of-the-week. The dialogue-writing is sharp enough for it to be a decent show, yet sadly the characters aren't fleshed out well-enough. The plot- writing is also not up to par. It often takes the cheap way out and generally lacks credibility and quality. There wasn't nearly enough for it ever to be a great show, but it could have been a good one with a few tweaks. All of this, by the way, is only talking about the first season. The second one is generally another notch below the first one.
Bill Crouch I agree with this assessment of Crime Story as I also taped every episode that I could when they were on. My greatest Fathers Day gift from my son was the complete 2 seasons on DVD. Now I have a digital version of this "Best of the best" police shows. We need more great programs along these lines.What was really interesting is that IMDb has complete bios on all the actors involved in the production and I found that the pilot had many current stars cast. As the show progressed, other actors early in their careers showed up from time to time. One in particular is the "deranged gunman" in season one that is currently Captain Brass in Crime Scene Investigation (CSI).
blamar This is a wonderful, entertaining crime drama. It moved its location from Chicago to Las Vegas. It is neat to see Vegas as it once was. Turello and his squad of hard working honest cops try to stop the mob. The man they are trying to stop is a hood on the rise, Ray Luca. This is a terrific show, with a dark style. It doesn't always wrap up in an hour, nor is the ending a happy one. Turello has sacrificed a lot to be a cop.
ve4evr19 "Crime Story" was one of the last TV shows that I watched with any kind of regularity. I enjoyed the series the most when it focused on Chicago. It always impressed me because of the obvious attention to details. I enjoyed the historical accuracy of the settings and backdrops - from furniture to hair styles and color scemes to cars! Oh those cars! The only flaw I ever spotted was a hospital bed in one scene - it could have been in the movie. The music was superb! I mean, how many take the time to revive the "Flamingos", except for us die hards! Dennis Farina was both loveable and believable. He delivered serious and funny lines with a flare that was and is, uniquely his own. The support of the others in the cast rarely missed a beat either. Friday nights have never been the same!