Space: 1999

Space: 1999

1975
Space: 1999
Space: 1999

Space: 1999

7.3 | TV-14 | en | Drama

The crew of Moonbase Alpha must struggle to survive when a massive explosion throws the Moon from orbit into deep space.

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Seasons & Episodes

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EP24  The Dorcons
Nov. 12,1977
The Dorcons

The Dorcons -the most powerful race in the galaxy -demand that the Alphans hand Maya over to them. Koenig refuses, until Moonbase Alpha is savagely attacked and invaded! Then, having let them take Maya he makes a desperate attempt to save her....

EP23  The Immunity Syndrome
Oct. 29,1977
The Immunity Syndrome

The arrival of the Alphans on another planet seems to cause a change in its atmosphere, setting off pollution and poisoning of the water. They meet Zoran, the sole survivor of the last exploratory force, who tells them that the planet is controlled by an immortal being - with whom Koenig must parley if he and his crew are to leave the planet alive.

EP22  Devil's Planet
Sep. 01,1977
Devil's Planet

Answering a distress signal, Commander Koenig is forced to crash-land his Eagle on Entra - moon of the planet Ellna - which turns out to be the planet's penal colony, and Koenig finds himself a prisoner of the beautiful Elizia and her equally beautiful prison guards.

EP21  Dorzak
Aug. 25,1977
Dorzak

A spaceship arrives on Moonbase Alpha carrying a prisoner, whom Maya is astonished to learn is Dorzak, a survivor from her planet, Psychon. But can he, a man of peace, really be guilty of the crimes of violence for which he is being exiled?

EP20  The Seance Spectre
Aug. 18,1977
The Seance Spectre

Some subterranean miners start chanting for a planet that will cause the Moon to pass through a nebula deadly to those living at Moonbase Alpha.

EP19  The Bringers of Wonder (2)
Aug. 11,1977
The Bringers of Wonder (2)

People from Earth have landed on Moonbase Alpha, promising to take the Alphans back home. Commander Koenig, however, sees not fellow human beings, but aliens, and tries to kill some of them. Horrified, Helena stuns him with a laser gun and later, as he lies unconscious in the Medical Center, Koenig is approached by one of the aliens (for that is what they really are) who tries to smother him...

EP18  The Bringers of Wonder (1)
Aug. 04,1977
The Bringers of Wonder (1)

Everyone on Moonbase is electrified by the arrival of a spaceship from earth. Everyone, that is, except Commander Koenig. Where the others see long-lost friends and relatives, he sees hideous aliens, bent on taking over the Moonbase...

EP17  The Lambda Factor
Dec. 23,1976
The Lambda Factor

A pretty, young Alpha technician dies a horrible and unexplained death. Dr. Russell's experiments reveal that one of the crew is possessed of paranormal mental powers and is trying to take control of Moonbase Alpha....

EP16  The Beta Cloud
Dec. 16,1976
The Beta Cloud

A strange cloud drifts over the base and causes most of the crew to be stricken with illness. A monster, the 'cloud creature' appears out of the cloud and runs amok on the base. A voice from the cloud explains its purpose. The base must give up its life support in order to prevent the cloud from dying. With most of the crew indisposed through illness, it is down to Maya to employ her shape-shifting skills to beat the creature.

EP15  A Matter of Balance
Dec. 09,1976
A Matter of Balance

Several crew members explore the planet Sunin, including botanist Shermeen Williams, who appears to have visionary gifts. She links up with an alien, called Vindrus, who wants her help in transferring his body and that of his race, into solid matter, giving them proper human form so that they can join the universe as real matter. However, for every one of his race made flesh, an Alphan must lose their matter.

EP14  Space Warp
Dec. 02,1976
Space Warp

Koenig and Verdeschi are sucked into a space warp. A feverish Maya is stricken with a fever that causes her to transform into a repulsive space monster.

EP13  Catacombs of the Moon
Nov. 25,1976
Catacombs of the Moon

Ship's engineer Patrick Osgood believes he can obtain titanium, to make a new heart for his sick wife Michelle, from the catacombs of the moon, using dynamite. The explosion which follows gives him a vision of the future in which the ship is pursued by a fireball and this comes true. Though Helena is making a new heart for Michelle, Osgood becomes impatient and drags his wife back into the catacombs, giving Koenig a double task - to avoid the fireball and save the Osgoods.

EP12  The AB Chrysalis
Nov. 18,1976
The AB Chrysalis

The Alphans land on a planet seemingly devoid of any human existence but being run by a group of machines. The machines explain to the visitors that their human overlords are in a state of regeneration but the chief machine, the Guardian,sees the Alphans as posing a threat and it is down to two newly regenerated females known as A and B to decide their fates.

EP11  Seed of Destruction
Nov. 11,1976
Seed of Destruction

Whilst he is exploring an asteroid Koenig is taken over by an alien race known as the Kalthon, who replace him with an exact double. In consequence every action ordered by the fake Koenig is solely for the benefit of the Kalthon and to the detriment of the welfare of the Alphans. Helena realizes that something is wrong when 'Koenig' is cold to the touch and needs to convince the other crew members.

EP10  The Taybor
Nov. 04,1976
The Taybor

The expansive Taybor, an inter-galactic merchant arrives from hyper-space on his ship the 'Emporium'. He is offering to sell things to the Alphans. Koenig realizes that if the Taybor sold them his space-ship, it would enable the Alphans to fly back to Earth, but the price the Taybor is asking for this transaction is Maya.

EP9  All That Glisters
Oct. 28,1976
All That Glisters

The Alpha Moonbase needs a rare ore known as Milgonite, which is detected on an extremely dry planet. Koenig leads a small landing force and discovers a glowing rock formation which comes alive and cuts off the party's links with the base. It is a trap - the planet needs water to survive and has lured the travellers there for the water in their bodies.

EP8  The Rules of Luton
Oct. 23,1976
The Rules of Luton

Whilst Koenig and Maya are exploring a planet called Luton,which is lush in vegetation, she picks a flower and he helps himself to some fruit. As a result they are put on trial for murder by three talking trees, the Judges of Luton. The trial is by combat and the pair must face three aliens, one with superstrength, one which can render itself invisible and one which can teleport.

EP7  The Mark of Archanon
Oct. 16,1976
The Mark of Archanon

The latest extra-terrestials to be rescued by the Moon Alpha Base crew are Pasc and his young son Etrec. They are from the usually peaceful planet of Archaron and they claim that they are victims of a rebellion, engineered by Pasc's wife Lyra. However, Helena discovers that they have both been infected with a virus which makes them considerably less friendly and more deadly than their initial claim.

EP6  New Adam, New Eve
Oct. 09,1976
New Adam, New Eve

The tall and imposing Magus arrives on the base. He claims god-like powers, namely that he effected the Creation. But he is now disillusioned with the way that Life has progressed and wishes to start again. He plans to mate Helena and Tony and Maya with Koenig. But of course he is not God but a renegade cosmic sorcerer, and quite an illogical one at that, who needs to be controlled.

EP5  Brian the Brain
Oct. 02,1976
Brian the Brain

The Alphans encounter an eccentric and intelligent robot who is known as Brian the Brain. Brian's creator Captain Michael and his crew have all died in mysterious circumstances and Brian asks for the help of Koenig and his crew. However, it soon becomes very apparent that Brian is anything but harmless and was in fact responsible for the deaths of Captain Michael and his colleagues. And he is ready to do the same to the Alphans.

EP4  One Moment of Humanity
Sep. 25,1976
One Moment of Humanity

A sinister woman called Zamara materializes on the base, forcing Helena and Tony to accompany her to the planet of Vega, whose natives are anything but friendly. A servant of the Vegans, known only as Number Eight, informs the two Alphans that he and his race are the natural inhabitants of the planet and that Zamara and her race are androids, who, it turns out, want the Alphans to teach them warfare.

EP3  Journey to Where
Sep. 18,1976
Journey to Where

A transmission from Dr. Logan in Texas City leads the Alphans to believe that they can finally land back on Earth, though they have travelled through time and, when they touch down in Texas City, they will be in the twenty-second century. However, due to a hitch, they find themselves in a barren and hostile environment. It is Scotland in the fourteenth century where the Scots are at war with the English invaders.

EP2  The Exiles
Sep. 11,1976
The Exiles

With Maya now a crew member the Alphans discover a young couple called Cantor and Zova who have been in suspended animation for some while. They claim that they are exiles from the planet Golos, following an invasion, and ask for the help of Alphan crew members to restore the planet to them. Helena and Tony accompany them to the planet Golos, where it is apparent that they are not the young innocents they appeared to be.

EP1  The Metamorph
Sep. 04,1976
The Metamorph

An Eagle is sent onto the surface of the planet Psychon, which has titanium, needed for repairs to the Alpha Base. It fails to return and is used by Psychon scientist Mentor as a bait with which to entice other members of the Alphan crew onto the planet. Mentor is building a computer but it will be fuelled by the living brains of humans, and he has his eye on those of the Alphan crew. Fortunately his daughter, the shape-shifting Maya, does not share her father's views and is on the side of the Alphans.

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7.3 | TV-14 | en | Drama , Sci-Fi | More Info
Released: 1975-09-04 | Released Producted By: ITC Entertainment , RAI Country: United Kingdom Budget: 0 Revenue: 0 Official Website: http://www.space1999.uk.com/
Synopsis

The crew of Moonbase Alpha must struggle to survive when a massive explosion throws the Moon from orbit into deep space.

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The tv show is currently not available onine

Cast

Martin Landau , Barbara Bain , Catherine Schell

Director

Nick Allder

Producted By

ITC Entertainment , RAI

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Reviews

masercot I remember this being far more intelligent when I was about thirteen...It hasn't weathered the rigors of time very well. Most of the scientific concepts in this series were flawed when the show first came out. An explosion that would slowly hurl the moon out of orbit without killing most of the occupants of the moon base is a good start. The occupants of the moon-base being crushed by g-forces while a pilot above the same moon and accelerating just as fast is non-plussed... and the worst: The moon, which is pretty much unsteerable, is headed for a mystery planet? You'd have a better chance of flying into the butt of a giant unicorn...One the other hand, Baine and Landau are terrific actors. So, as they read these lines that make even those of us with a spattering of education in the sciences wince, they are doing it quite well. I'm of two minds with this one...
raysond On commemorating the 40th anniversary of this show this was at its time science fiction television of the highest order and it was an incredible blend of spectacular special effects,amazing sets along with some of the most fantastic,even metaphysical/mystical stories that put you in with the action amongst the wonders and horrors the Alphas were facing in the far reaches of outer space. The short-lived award winning science fiction series "SPACE:1999" was created and produced by Gerry and Sylvia Anderson who also served as executive producers of the series. The series was the last production by the partnership of Gerry and Sylvia Anderson and when it premiered in 1975 was the most expensive science fiction series produced for British television at the time it was made at a cost of $300,000 per episode. The first season was co-produced by the British television company ITC Productions and the Italian production company RAI Productions. The second season was produced only by ITC Productions. Before this series was made the partnership of Gerry and Sylvia Anderson were known for their children's action-adventure programs including "Fireball XL-5", "Stingray", "Thunderbirds!",and "Captain Scarlet and the Mysterons",and for there live-action produced shows that included the science-fiction drama "UFO",and their only live- action espionage/crime-drama series "The Protectors". "SPACE:1999" was originally pitched in the United States to all three major television networks(ABC,NBC,& CBS) with NBC expressing interest in the series as a mid-season replacement. As a result,all three major television networks rejected the offer. The series ended up in the United States shown in first-run national syndication for two seasons producing 48 episodes in color from September 4,1975 until November 12,1977. Out of the 48 episodes that this series produced, a total of 24 episodes were made from September 4,1975 until February 12,1976. Season 2 also produced 24 episodes in it's final season airing from September 4,1976 until November 12,1977. Gerry and Sylvia Anderson were executive producers throughout it's entire run. Former "Star Trek" producer Fred Freiburger was the producer for all of Season 2 and for all 24 episodes in it's final season.The British produced series starred Martin Landau and Barbara Bain(of "Mission:Impossible" fame),and Canadian actor Barry Morse(of Quinn Martin's "The Fugitive") along with co-stars Nick Tate and Zienia Merton. Throughout the series entire run only actors Martin Landau and Barbara Bain along with Nick Tate and Zienia Merton remained with the exception of Barry Morse who appeared in all 24 episodes of Season 1. In the series second and final season actor Barry Morse was replaced by Catherine Schell. Also added to the cast for Season 2 were actors Tony Anholt, John Hug, and Jeffrey Kissoon. "SPACE:1999" drew a great deal of visual inspiration and technical expertise from Stanley Kubrick's 1968 theatrical film "2001: A Space Odyssey" along with the show's special effects director Brian Johnson who had previously worked on the "Thunderbirds!" television series and on Kubrick's theatrical film. To basically get the idea of what "SPACE:1999" was about requires heavy viewing in spite of this was out of the ordinary when it came out in 1975. Season 1 of the series is highly recommended and I would highly recommend seeing the pilot episode "Breakaway" which sets the tone for what was to come. The original 24 episodes from Season 1 that were to follow were into a magnificent journey into the unknown reaches of space that gave viewers a retrospective that no other television series of this period has seen before or since. It was Britian's answer to "Star Trek" and "Lost In Space". An grand astounding achievement when it came out during the mid-1970's. The other episodes that stood out from Season 1 of the series were "A Matter of Life and Death", "Dragon's Domain", "End of Eternity", "Earthbound", "The Testament of Arkadia", "The Last Sunset", "Mission of the Darians", "Space Brain", and "The Alpha Child" just to name a few. The second and final season of the series also had some good episodes ranging from the two-part "The Bringers of Wonder", to other Season 2 episodes that followed included "Dorzak", "The Journey to Where", "The Immunity Syndrome", "The Metamorph", "The Seed of Destruction", "The Dorcons",and "The AB Chrysalis" and even "The Rules of Luton" were just a few of the good episodes in its second and final season. The rest of the episodes from Season 2 did not hold their own as the series basically stoop to the level of a Saturday Morning cartoon show. The guest stars ranged from some of the best British actors in the business ranging from Peter Cushing, Christopher Lee, Joan Collins, Sarah Douglas, Jeremy Kemp and Peter Bowles. When it was canceled in the fall of 1977 the series continued in syndicated repeats for some United States network affilate stations(where it was shown on late nights and weekends) until March of 1978.
rooprect What a prophetic show. Although it sorta missed the mark on 1999 being the year the moon blows out, it did predict that teeny bikinis & bellbottoms would come back in style.This is probably the most conservative scifi show that ever made it to prime time. By "conservative" I mean "realistic". There aren't a lot of 3-headed aliens, space wars & planet-deafening laser guns like we may see in other scifi shows of the time. Instead, we get a much more realistic (yet every bit as dramatic) portrayal of the near future.In the 40s, 50s and 60s, scifi was synonymous with campy cheese. Then in 1969, Stanley Kubrick hit us with the masterpiece "2001" whose minimalistic, sterile & psychological approach made us suddenly take the future seriously.Here we have a TV series that followed Kubrick's lead admirably. Visuals are very 2001-ish: bright white, somewhat cold and clinical. Themes are equally provocative, touching on mindbending concepts of physics (like the Unified Field Theory, summarized as "Everything is everything else") and momentary glimpses into theology & the question of whether there is a greater intelligence guiding us. Like "2001", therein lies the power of this show. It touches on the most unanswerable questions of existence, presenting certain possibilities without being too sure about itself.By not-knowing, it makes everything seem plausible. The characters aren't a bunch of hotshots who always save the day with the right answers. Rather, they often make catastrophic mistakes as they stumble through uncharted territory with no control over their situation. It's a very humble approach to scifi.The star, Martin Landau said it best in a recent interview: "I like the idea of (the moon) going off into space and not being able to control the trajectory. Star Trek is years in the future; they can run around and do what they want. But the moon has 300 people onboard, and we can't procreate, we can just support ... and we can't steer this thing. We're not emotionally and/or technologically able to do that if we wanted to ... It's an accident and we're not ready for it."Again, going back to 2001 (which, if you haven't guessed, is one of my fave movies), it establishes the same Kubrickian philosophy that we are stumbling through space, awkwardly trying to find our footing, making mistakes but trying to learn and evolve while surviving. Isn't that that the whole point of life?Enough pseudo-philosophy. This show is just plain freaking cool. Created by miniature-model-experts Gerry & Syliva Anderson, the spaceships, moonbase and moon scenery are extremely impressive. Sure, there may be a cheesy 70s effect here or there, but for the most part everything is convincing enough to maintain your suspension of disbelief. Music is really cool, too, and I'm not just talking about the awesome 1st season themesong. For example, the episode "Dragon's Domain" is notable for its use of the haunting classical piece Albinoni's Adagio in G minor (used also in the 1976 scifi masterpiece "Rollerball").Be forewarned, when Space:1999 switched from season 1 to season 2, there were some major changes. Overall it became much less cerebral, much more action-oriented (that's a nice way of saying "cheesy"). While most die-hard fans cling to season 1 as the definitive Space:1999, I think season 2 had some really cool episodes too. But I think it's best to start with season 1. If your time is limited, check out the episodes "Breakaway", "Black Sun", "Earthbound", "The Infernal Machine". And if you want a really trippy Dali-esque surreal experience, try "The Missing Link".Love it or hate it, you'll have to agree it's like no other scifi TV series you've ever seen!
Mark L. Kahnt What stands in my mind is how, eight to ten minutes before the end of nearly every episode, the society on a new planet encountered by the Alphans ends up being destroyed, usually at the hand of Commander John Koenig, because what it seeks does not meet with the life Alphans are used to. This was a weakness to otherwise intriguing stories that were not going to be mistaken for Star Trek.Although I remember too many things that left me scratching my head, even from the superior first season - why did the command centre have exterior windows that could be opened when the Moon was given an atmosphere? With all of the Eagles that crashed or were otherwise disabled, how did they always seem to be able to get another one aloft, and how were they fast enough, given the scramble of Alan Carter to keep up with the Moon when it first left Earth's orbit, to reach the base again when outside the gravity of the orb.The local TV station aired the first season Fridays at 7 pm, the same time slot that it had used for Star Trek a decade earlier. The second season was picked up by the CBC, but they threw it away by airing it Saturday afternoons at 3 pm. In the late 80s, it ended up on the children's channel YTV at about the same time, grouped with Blake's 7 and Red Dwarf. The TV regulator felt Space 1999 and Blake's 7 were too violent for a children's channel, and Red Dwarf being possibly too racy for daytime airing on that channel.It had potential, but it just seemed to have the need to sell in many markets so that it could pay its bills, rather than just to tell great stories. If it had told great stories consistently, it would have sold solidly and been a franchise comparable to Star Trek.