The Mary Tyler Moore Show

The Mary Tyler Moore Show

1970
The Mary Tyler Moore Show
The Mary Tyler Moore Show

The Mary Tyler Moore Show

8.3 | NR | en | Comedy

30-year-old single Mary Richards moves to Minneapolis to start a new life after a romantic break-up. There she reacquaints with Phyllis who rents her a room, and meets her upstairs neighbor and new best friend Rhoda. Mary unexpectedly lands a job as associate producer at the TV station WJM, where she works alongside her bristly boss, Lou; the comical newswriter, Murray; and the newscast's often-incompetent anchor, Ted.

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Seasons & Episodes

7
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EP24  The Last Show
Mar. 19,1977
The Last Show

WJM-TV has some personnel changes in the executive department (again), and everyone except Ted Baxter is fired. The new station manager wants to see the WJM News the highest-ranked in Minneapolis, and for some reason feels that Ted can help him make it happen. (Seems a little odd, eh?) The gang says goodbye to each other in the form of a long, hard cry. Mary thanks them all for being her surrogate family, and Lou finally sentimentally says, ""I cherish you people."" They bravely march out the office doors singing, ""It's a long, long way to Tipperary."" At the last moment, Mary leans back through through the WJM-TV doors and turns out the light. So long, WJM-TV.

EP23  Lou Dates Mary
Mar. 12,1977
Lou Dates Mary

Mary has another disastrous date and worries she'll never meet the right man, until Georgette points out that every quality she seeks can be found in Lou Grant.

EP22  Mary's Big Party
Mar. 05,1977
Mary's Big Party

Mary has planned a fancy party at her apartment, with a mystery guest of honor, but the power in the building goes before he arrives.

EP21  Mary's Three Husbands
Feb. 26,1977
Mary's Three Husbands

Murray, Ted and Lou fantasize about being married to Mary.

EP20  Murray Ghosts for Ted
Feb. 19,1977
Murray Ghosts for Ted

Ted offers Murray $200 to write an article on his behalf. The article becomes a success, but Ted refuses to share the credit with Murray.

EP19  Mary and the Sexagenarian
Feb. 12,1977
Mary and the Sexagenarian

Mary happily accepts a date from a charming older man without realizing that he's Murray's father, but everyone else has difficulty coming to terms with the difference in their ages.

EP18  Hail the Conquering Gordy
Feb. 05,1977
Hail the Conquering Gordy

WJM's former weatherman, Gordy Howard, returns to visit Minneapolis after becoming a highly successful network presenter in New York. Ted is desperate for a chance to join Gordy.

EP17  Sue Ann Gets the Ax
Jan. 29,1977
Sue Ann Gets the Ax

Sue Ann's Happy Homemaker show is canceled but she is determined to stay at WJM and asks Mary to give her a job in the newsroom.

EP16  The Ted and Georgette Show
Jan. 22,1977
The Ted and Georgette Show

Ted and Georgette successfully audition for their own variety show, which becomes a big hit, but Georgette eventually finds that she would prefer being a wife and mother.

EP15  Lou's Army Reunion
Jan. 15,1977
Lou's Army Reunion

Lou wants to return a favor to an old Army buddy, but balks when he asks for a date with Mary.

EP14  The Critic
Jan. 08,1977
The Critic

A pompous but renowned critic is hired to provoke controversy on The Six O'Clock News, but the newsroom thinks he has gone too far when he begins attacking Minneapolis and its residents.

EP13  Look at Us, We're Walking
Dec. 25,1976
Look at Us, We're Walking

Mary and Lou threaten to quit after the new station manager refuses to give them a raise.

EP12  Ted's Temptation
Dec. 11,1976
Ted's Temptation

Mary and Murray find it hard to believe that an attractive young journalist has tried to seduce Ted while they are at a convention in Hollywood.

EP11  Mary's Insomnia
Dec. 04,1976
Mary's Insomnia

Mary is having trouble sleeping and resorts to pills, which has Lou concerned that she's become addicted to them.

EP10  Murray Can't Lose
Nov. 27,1976
Murray Can't Lose

Lou learns from a source on the Teddy Award's panel that Murray will finally win an award for his news writing.

EP9  Lou Proposes
Nov. 20,1976
Lou Proposes

Lou realizes that he has feelings for Mary's Aunt Flo, a journalist with a similar pride and passion in the news profession.

EP8  Mary Gets a Lawyer
Nov. 13,1976
Mary Gets a Lawyer

Mary faces a contempt charge for not revealing her news source. Lou recommends a lawyer friend who takes a romantic interest in Mary.

EP7  My Son, the Genius
Nov. 06,1976
My Son, the Genius

Ted and Georgette are initially disturbed to find that their son, David, is not doing well at school, but a psychiatrist's test shows that he is a genius. Unfortunately, David lets this go to his head and takes advantage of Ted.

EP6  One Producer Too Many
Oct. 30,1976
One Producer Too Many

Lou promotes Murray to co-producer against Mary's wishes to prevent him from accepting a producer's job at a rival television station.

EP5  Ted's Change of Heart
Oct. 23,1976
Ted's Change of Heart

Ted suffers a heart attack on the air and for the next few days becomes conscious of how precious life is.

EP4  What's Wrong with Swimming?
Oct. 16,1976
What's Wrong with Swimming?

Mary hires a new sportscaster who refuses to cover any sports but swimming and is faced with the prospect of firing her.

EP3  Sue Ann's Sister
Oct. 09,1976
Sue Ann's Sister

Sue Ann becomes deeply depressed when her sister arrives and gets an offer to do a competing homemaker show in Minneapolis.

EP2  Mary the Writer
Oct. 02,1976
Mary the Writer

Mary decides to take a creative writing course, and is less than delighted with the criticism Lou levels at her efforts.

EP1  Mary Midwife
Sep. 25,1976
Mary Midwife

Georgette gives birth at Mary's dinner party. With the hospital and doctor too far away, Lou and Mary help deliver the baby.

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8.3 | NR | en | Comedy | More Info
Released: 1970-09-19 | Released Producted By: MTM Enterprises , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

30-year-old single Mary Richards moves to Minneapolis to start a new life after a romantic break-up. There she reacquaints with Phyllis who rents her a room, and meets her upstairs neighbor and new best friend Rhoda. Mary unexpectedly lands a job as associate producer at the TV station WJM, where she works alongside her bristly boss, Lou; the comical newswriter, Murray; and the newscast's often-incompetent anchor, Ted.

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Cast

Mary Tyler Moore , Ed Asner , Gavin MacLeod

Director

Allan Burns

Producted By

MTM Enterprises ,

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Reviews

mhubbard-54657 MTM was a great program that reflected the changing lifestyles and social mores of the 70's. Mary Richards, indeed, was a spunky young woman, learning how to make it on her own, with optimism, humor, an adorable apartment, and the help of some friends and co-workers.How well I remember the Saturday night TV line-up. MTM was the highlight of my week as a young teenager. Each week we got to see the opening scenes of Mary driving into the city, and walking in the beautiful city parks in her gorgeous coats. Each week we shared Mary's excitement in starting a new life for herself, even though there was the inevitable humorous glitch.Time moves along and so do people. Five years later, Mary was clearly middle-aged and no longer believable as the slightly naive young lady. Several of the original characters had left to pursue their own thing. They were replaced by characters not as good, in my opinion. In particular, I did not care for Betty White as the horny homemaker, I just didn't find her funny at all. Mary Richards was intriguing because her sexuality was subtle. The homemaker was just disgusting.At any rate, the first several seasons were excellent. Towards the end, the writers were starting to run out of good ideas, so the show was wisely canceled.
phillipgowens1 Okay, I'm a guy and I was in the 9th grade in the fall of 1970 when this show came out. I wasn't interested in it because it was geared toward women ages, 30-45 (or so I thought). By the mid-1970s, when I was studying business in college, and bored to death with homework, I'd channel-surf looking for something to watch on TV. Occasionally, Ms. Moore's show would be on, and with nothing else on TV to watch, I'd tune in. And you know what? I was never disappointed. Not once. Later, when "Rhoda," and "Lou Grant," were spun off, I watched those shows, too. Again, I was never disappointed. These shows were great and I wish we had the same kind of shows now. I'm so sick with modern-day TV, I had my cable disconnected a few years back and I only watch these kinds of shows. Thank you Ms. Moore, Ms. Harper, Ms. White, Mr. Asner, Mr. McLeod, and the late, great, Mr. Knight for some of the greatest shows in the history of TV, and R.I.P. to Mr. Knight. You get 10/10 from me.
preppy-3 I never caught MTM when it was originally on. I didn't watch much television and the idea of a sitcom about a single woman had no interest to me. Then, after it was cancelled, a local TV station started showing two shows a night, back to back, and I started watching. At first I wasn't impressed. The early 70s fashions and hairstyles were horrific, the acting uneven, the topics dated and Moore occasionally overacted. But, as the series progressed, the writing got better, the cast got more comfortable with their roles and Moore toned it down a little. I still don't like the first season too much. It does introduce us to all the characters but it just seemed kind of forced. Also it was somewhat sexist. At one point Moore actually does Lou Grants' laundry! OK OK--his wife had left him but still... After the first season though the series picked up speed and just got better and better. It also showed a single woman living alone and liking it--a rarity for TV on those days. It even hinted that she had an off screen sex life. It also found humor in some taboo subjects. When Chuckles the Clown is inadvertently killed in one episode they actually made his death seem funny! Supposedly (according to Moores' autobiography)no one wanted to do it and some crew people were "sick" the week it was filmed. That episode went on the win a few Emmys and is considered a true classic. Also Moores' character got more liberated--especially during the last season. She got a steady boyfriend (Ted Bessell) and, at one point, gives him a long passionate kiss right in front of Lou Grant, Ted Baxter and Murray Slaughter. It all ends perfectly in the last episode. No one was killed but everybody (except for Ted Baxter) is fired and they all leave the office singing! A true classic of TV. Well worth seeing.
joe_lvn I saw the first episode when it first aired in prime time back in September of 1970 when I was nine years old. And I remember really enjoying it.At the very end, I thought the MTM cat was the most amazingly clever thing I had ever seen (as a kid, knowing it was a take-off of the MGM lion). I kind of fell in love with Mary (of course we all did) especially as the series and episodes went on. Like I said, I truly believe that this was one of THE greatest shows ever on television (very likely the best). Everything clicked: the acting, the choice of actors for the show,the characters they were chosen to play, and most evidently and importantly, the incredible writing. And what wonderful, sophisticated writing it was. I really can't remember anything "dumb" or silly in this show. It never once insulted my intelligence (or attempted to insult anyone's). The characters in the cast became very much like old friends to me, and I guess to most people. Almost like family. Why couldn't we know people or work with people like this?An episode of special note regarding exceptional writing and direction: The one where Mary is so tired of trying to find a suitable man to date or have a relationship with, that on Georgette's advice, she asks Lou Grant out on a date. This was the next to the last episode of the series, by the way. I believe that most people who remember this episode will agree with me that it was one the best ones of the entire show. Unfortunately, there aren't any more sitcoms on prime time T.V. today that can compare to this comedic gem.And Mary, you'll always turn the world on with your smile!!