jzappa Girl 6 is not a laugh-out-loud comedy so much as it is a satire of the nature of the struggle of the typical New York City actress with big dreams. She can hardly get a job and eventually resorts to using her talents to the most basic and competently lucrative degree as a phone sex girl.The film held my interest to a great degree, but only because of the visceral experience of watching it. John Corso and Malik Hassan Sayeed's cinematography, which ranges several different sorts of film stock, and Lee's consistent talent with the placement of music combined with the film's fascinating look is beautiful. There are several feelings that I felt that took me on a ride, but they were empty feelings, fleeting ominous moods, energy. The story doesn't fit. Thus, the movie is only stylistically moving. If the script had been directed by anyone else, it likely wouldn't be worth it at all.The substance of the film is basically nonexistent. The satire is not cohesive because there is no real point the film makes. This is certainly one of Spike Lee's worst films, but it certainly has a beauty lathered on top.

Joe Ochoa Once again, I've watched a Spike Lee movie and wasn't very impressed. But, the real truth is that I just didn't understand it. Maybe he is too conceptual for me?Okay, you get the message. Women can't get acting gigs unless they flash their tits. So what does principal actress do after refusing to take off her top-she gets a job acting about having virtual sex! So she's able to pay the bills, but is still selling herself.The ex-husband is a pain-in-the-ass philosopher type who only steals "what he needs." Again Lee has to push the idea that every man wants a white woman. This is evidenced about halfway through film when boss tells all the phone sex women to be white unless asked to be otherwise. Yawn. The visuals are pleasant and Prince's songs really sound great. In fact, I only rented this film after I bought the soundtrack. Acting was good, the cameos are well-chosen and well-placed. But, I thought the movie could have done/said more.Don't go out of your way to see it, but if its it on, its worth a watch.

cealchylle I can't help but to be amused by the other comments/reviews on this movie. They (even the positive ones) completely enforce exactly what this movie is actively trying to point out about our society.Several people noted that the narrative was weak or nonexistent, that the film didn't "go" anywhere, and/or that there was too much extra "stuff" that distracted the story from the "real" plot line. I'm here to tell you that this is the whole point of Spike Lee's brilliant Girl 6. It's not a flaw in the movie, it is part of it's very construction.Every time an extradiegetic scene was placed within the overall plot (such as the Dorothy Dandridge, Foxy Brown, Jeffersons scenes as well as the recurring image of the elevator shaft) the audience is pulled away from the narrative of the film and forced to see it as such: a movie! And fictional movies have no basis in reality; the people and actions depicted are not real. This disrupts our normal expectations about what we expect to see in a film.The movie is also scattered with touches of reflexivity. For example, Naomi Campbell, wearing a shirt that says "Models Suck" and Quentin Tarantino, acting very ironically in a way he has been accused of. At the end, the movie theater in L.A. is showing a movie entitled "Girl 6" and a billboard proclaims that it's "The End." Absolutely all of this is purposeful and calculated. It does exactly what so many people were disappointed not to see, by subverting our expectations and implicitely pointing out that this is NOT a movie you can just "fall into" and become a passive spectator, that it actively engages the audience and breaks down our concepts of the master narrative by giving us an ending we did not expect.Girl 6 is not a movie about phone sex, as so many of you seem to believe. It is a feminist (if you know anything about Suzan-Lori Parks, you know she would never condone something sexist, let alone write it) film that deliberately references itself in order to subvert our expectations about films, society, and women.It's really a shame that so many people are, in fact, so hooked on "traditional" forms of narrative (taught by a sexist society) that they fail to see the value of this film.

dgordon-1 This movie is by far one of my favourite Spike Lee movies, along with "She's Gotta Have It" It follows the trials and tribulations of an actress trying to make it in New York City. She decides to take a job as a phone sex operator until she gets an acting job. Theresa Randle gives an excellent performance throughout. The musical score by Prince, which includes some of his classic '80s tunes, makes this a movie that you can watch over and over again. Too bad it's not available on DVD, like some of Spike's other movies.