donaldricco I loved, loved, loved the remake with Denzel! I liked the book. But this? Not so good. Scott Glenn just doesn't work as Creasy. And the voice over really doesn't work. Plus, the girl playing Samantha is just terrible. It just pales in comparison to the Denzel film. I missed hearing "Blue Bayou" and instead got Joe Pesci singing and strumming a guitar? Yeesh. Read the book, skip this movie.

nerdomatic10-937-667230 Denzel's 2004 version is one of my favorite one-man-army revenge flicks, so when I saw this title at the truck-stop $1 bin, I grabbed it. It's a most excellent take on the same story and well worth watching. Scott Glenn is a top-notch tough-guy actor who never got his big break, but he always does a great job and this is clearly some of his best work, IMO (also check out "The Challenge", 1982). This French/Italian 1987 version had only a small fraction of the budget of Denzel's film and it quickly sank out of sight in America, but it works on different levels and is very entertaining in its own peculiar way.Glenn's Creasy is a great version of the burned-out, PTSD-suffering, haunted, depressed former Special Ops bad*** soldier who has seen and done too much and has totally given up on life. Yes, this character is an action movie stereotype, but Glenn breathes a lot of life into him. He starts out bedraggled, but unlike Denzel he stays shabby-looking when he gets hired for his ultimately redemptive bodyguard job. After all Hell breaks loose, then he shaves and gets a haircut and the audience knows he means business from that moment on.Jade Malle was a 12-yr-old French actress, so it's a very different dynamic from Dakota Fanning's little girl, but it's interesting in a special way. Glenn's Creasy still sees her as the daughter he never had, but being older she's more of a pain in the butt than a sweet little girl would be. Some people always put a Lolita angle on these types of stories, but anyone who's ever been a father or an uncle or a big brother to a needy tween girl knows it's far more likely to just feel protective towards these girls. Miss Malle does some very nice, naturalistic, unaffected acting while depicting a lonely, neglected girl who fixates on Creasy as a down-and-out loner well worthy of salvage and her friendship, even though he initially has no desire whatsoever to be her reclamation project or her friend. But Samantha is determined to pull this poor lost soul back into the world of the living, and she gradually brings him around.Of course, we all know Creasy's not going to stay a cheerful guy who's found a reason for living and is glad to be alive again. There's trouble right around the corner and when it hits, Glenn is extremely effective as an obsessed, highly-skilled, heavily-armed vengeance-seeker unconcerned with his own survival. Also, among many other great actors and actresses in the supporting cast, we have Joe Pesci in the Christopher Walken role and he's fantastic as usual.Anyway, for fans of the one-man-army revenge films, this is a fine example of the genre. I also highly recommend my own personal favorite, the Korean "The Man From Nowhere", made in 2010. Don't be afraid of the subtitles or you'll miss out on a classic film.

kosmasp I have to admit, I only watched this after I had watched the newer version (with Denzel Washington in it). So I guess I kinda knew most of the story before watching it. But it still could have made an impact on me, if it actually were better. As you can tell by my voting, I wasn't impressed. While there are remakes that could be deemed unnecessary (though studios never think that, especially financially), this one was more than ripe and really easy to top.While I do like Scott Glenn in general (you might also remember him from "Silence of the Lambs", but he's done quite a lot of other work, mostly small roles in a lot of movies), I don't think he adds anything to the mix here. Still I do like some of the ideas this introduced, although it never really got as raw as the budget was meant to be (or should have aspired for).

lost-in-limbo Not being fan of director Tony Scott's 2004 remake starring Denzel Washington and Dakota Fanning, it however did get my attention that this novel adaptation was also attempted in the late 80s in a very European style. Not as easy to get a hold off, but it turned out to be a solidly atypical, if unspectacular, lean revenge thriller with a striking performance by Scott Glenn in the central role as former CIA agent turned bodyguard Mr. Creasy. It's the cast that makes this one work (where can you get Joe Pesci doing what he does best; getting angry; yelling profanity, breaking radios and singing "Johnny Be Goode"), outside some methodically stylish directorial touches (like the opening slow motion intro) and stunning Italian backdrops and decors. The music score is atmospherically edgy and always complements the on-screen action with the cinematography fluidly projecting the details.The pacing is rather stodgy, as it does take awhile before it builds up some momentum (soon after the ransom kidnapping by some terrorists), there it crackles along (Creasy gaining health and then going on the warpath finding those involved to only dispatch them) until reaching its abrupt, if confused climax. However the final frame really does paint a beautifully haunting picture, which does leave it open. While grimy and mean when it does explode (effectively staged too), it might be too short-lived, as it could have up the ante on numerous occasions (despite one bloody shoot-out and a brutal beat-up scene). Instead it's rather understated - more so moodily brooding in its activities (and Glenn's husky narration), as it's quite a lyrical character drama, spending a lot time developing upon the relationship of the young girl and her bodyguard. While not particularly deep, still it feels genuine in the thoughtful bonding and the transformations. Glenn's wearily lamenting, but hardy performance balances out nicely to Jade Malle's wholesomely bright turn. Danny Aiello shows up as one of the kidnappers. Also the cast features Brooke Adams (who we don't see too much of) and a little role for Jonathan Pryce.