bkoganbing In October Gale, the winds whip up into gale force when Scott Speedman arrives at the doorstep of widow Patricia Clarkson's home with a bullet in him. Just his luck she's a physician like her late husband. Scott has a real problem going for him. He served some time in Canadian prison for killing a man and he's out now. But the father of the guy he killed, Tim Roth doesn't think that was enough. He's on the hunt now for Speedman.Do I have to say more, Clarkson gets an itch revived in her and maybe Speedman's the one to scratch. In any event she's drawn into his personal war with Roth.The climax is staged very well, Roth gives an outstanding performance of a truly demented man.Nicely acted and photographed Canadian production.

Paul Creeden I was surprised by the low ratings here. I liked this film for its suspense and dialogue. It is a quiet play, not a high-strung thriller. The slow revelations about loss, commonality and revenge were well done. Scott Speedman, perpetual hunk, was good in his portrayal of the drifter with a past. Patricia Clarkson was a good choice for the role. She lent credibility to the events by her adept pacing and subtle emoting. Tim Roth as a cockney creep was a pleasant bonus. A moody film, not for the viewer who needs explosions and graphic violence. The climax builds slowly and is worth waiting for. The denouement was moving and offered a ray of humanity to a dark view of human nature.

Seth_Rogue_One I was wondering why this movie with a such a good cast like Patricia Clarkson, Scott Speedman and Tim Roth managed to have a mere 5.1/10 (current rating when writing this review)But when I started watching it, it started to make senseIn the first half hardly nothing of substance happens and there are plenty of everyday scenes of Patricia Clarkson reading a book or remembering a romantic moment with her husband or fixing with the wood- pile for the fireplace and stuff like that with very little dialogue as she's by herself in the beginningTim Roth doesn't show up until the last 20 minutes, he's supposed to be menacing but comes off as boredThe plot itself also doesn't make a lot of sense to me, it's extremely simple really but the characters relations to one each other are daftly written, and it's boring, extremely slow and could have easily been cut down 30 minutes and you wouldn't have missed anything

David Ferguson Greetings again from the darkness. Writer/Director Ruba Nadda likes to explore human nature and unexpected romantic attraction. She did this in Cairo Time (2009) and does so again here in this excruciatingly slow-moving "thriller" with an interesting beginning, muddled middle, and a final act that reminds of wet fireworks … a dud. On the bright side, actress-extraordinaire Patricia Clarkson never allows us to lose interest.I've often written of my enjoyment of slow-burns and slow-builds for thrillers, and the best manage to generate a sense of caring from the viewers as they move towards the climax. Unfortunately, this one offers little more than an intriguing premise that places one ridiculous development on top of the next.Patricia Clarkson plays a doctor whose beloved husband has recently passed away and she heads to their lake cottage for some peace and quiet. Not long after, an injured Scott Speedman shows up in her living room. Being a doctor, she performs bullet-removal surgery with needle-nosed pliers, and then of course, finds herself attracted to the young gunshot victim who is being hunted by the father of a guy Speedman killed.We know the showdown is coming, but it seems to take forever to arrive, and then is pretty anti-climactic despite the presence of Tim Roth as the revenge-seeking father. The romantic attraction is pretty far-fetched and plays like a Nicolas Sparks story, or even a 1990's Tom Berenger or Ashley Judd thriller.The focus on death could have gone much deeper, psychologically speaking, and there is a brief scene where Roth tells Speedman "You always think there's going to be more time" that leads us to believe things are going to get really interesting. Instead more attention is given to the unlikely romance and the kinda hokey manhunt. Fortunately, the cinematography around beautiful Georgian Bay helps offset the story and the manipulative score, and of course watching Patricia Clarkson and Tim Roth work is always somewhat satisfying.