Red Heat

Red Heat

1985 "Explore the naked passions in this hot-house of Hell!"
Red Heat
Red Heat

Red Heat

4.8 | 1h44m | R | en | Thriller

East Germans abduct a U.S. coed (Linda Blair) and throw her in a women's prison run by a brutal inmate (Sylvia Kristel).

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4.8 | 1h44m | R | en | Thriller | More Info
Released: May. 28,1985 | Released Producted By: Aida United , TAT Film Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

East Germans abduct a U.S. coed (Linda Blair) and throw her in a women's prison run by a brutal inmate (Sylvia Kristel).

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Cast

Linda Blair , Sylvia Kristel , William Ostrander

Director

Wolfgang Dickmann

Producted By

Aida United , TAT Film

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Reviews

Scott LeBrun Decent entry into the Women In Prison genre finds Linda Blair, two years after "Chained Heat", back in the slammer in this politically loaded yarn. She plays Christine Carlson, an innocent college student visiting her fiancée, Mike (William Ostrander), an Army lieutenant stationed in Germany. After a fight with Mike, Christine finds herself in one of those "wrong place at the wrong time" scenarios by witnessing the abduction of Hedda (Sue Kiel), a spy who was trying to defect. The evil authorities force Christine to confess to espionage activities, and both she and Hedda are thrown in an East German prison. This particular place is ruled by alluring Sylvia "Emmanuelle" Kristel as Sofia, a top con who relishes her position in the pecking order - and relishes enforcing it. "Red Heat" is all just somber enough, trashy enough, and entertaining enough to make it an acceptable diversion. The requirements of the genre are satisfactorily met, with the standard display of delectable female nudity, lesbian couplings, harsh violence, and mean, sadistic villains that fans come to expect. Linda is appealing as always, and compelling to watch as we see her prison stay start changing her - not exactly for the better, of course. One can hardly blame her whenever she does snap. The sub plot of Mike doing everything he possibly can do - his career be damned - helps keep the movie moving along nicely, and the story leads right up to a respectably rousing climactic prison break. Beefy actor Ostrander, whom you may recognize as having played bully Buddy Repperton in the film version of "Christine", is good, as is Kiel, although Kristel remains the most fun to watch as she clearly enjoys playing the part of the bad girl. With the action enhanced by typically fine and atmospheric music by Tangerine Dream, and capable direction by Robert Collector, this movie is definitely good of its kind, with a palpably serious mood and a lack of camp. Overall, solidly done and worth a look. Seven out of 10.
Coventry Not to be confused with the Arnold Schwarzenegger vehicle with the same name, although released just a few years earlier and clearly featuring a couple of common themes, this "Red Heat" is actually a 'Women in Prison' exploitation movie starring Linda Blair (the amount of trashy B-movies she starred in during the eighties is nearly endless) and Sylvia Kristel; the one and only original starlet to depict the legendary soft-core film character Emmanuelle. The main reason why "Red Heat" isn't very popular or even commonly known among exploitation fanatics is probably because the script aspires to be overly ambitious and politically engaging. There's too much driveling about the Cold War and political conspiracies, instead of just focusing a little more on the obligatory "WiP" ingredients such as cat-fights, lesbian perversity and dark affairs ran from inside the prison walls. Don't get me wrong, "Red Heat" does feature all these elements, only in too small portions. That's why I think the comparisons between this one and "Chained Heat" (also starring Linda Blair) are completely unjust. I just watched "Chained Heat" as well and this movie is at least ten times more boring and less sleazy.Blair stars as an America student who comes to pay her soldier boyfriend a visit in his stationary base in West-Germany, only to hear that he wishes to delay their marriage in favor of signing up for some extra years of service. Angry, confused and out for a nightly walk, Christine witness a political kidnapping and gets apprehended herself. Forced into confessing spying crimes she didn't obviously didn't commit, Christine is taken to an old-fashioned and secluded prison institution where contact with the civilized Western world is simply a distant dream. Sylvia Kristel – wearing a hideous red wig - stars as the bitchy inmate who's actually more in control of the prison than the head warden. Meanwhile, Christine's fiancée slowly attempts to set up a rescue mission with the help of his army buddies and some political volunteers. In all fairness, the film contains a handful of powerful sequences (like, for example, Christine's exhausting interrogation) as well as neatly atmospheric set pieces and steady direction by Robert Collector. Heck, come to think of it, "Red Heat" isn't even such a bad film. It's just too slow, talkative and wannabe informative and that simply isn't what the target audiences anticipate to see. Have no fear, though, as said there's plenty of other 80's trash featuring Linda Blair out there.
eric-144 Linda Blair gets mistaken for someone else and she and another woman are thrown into a brutal german prison where she has no rights now. Sylvia Kristel plays the leader of the in for life inmates and she torments others until Blair cannot stand it and fights her. Blair doesn't know that her fiancee and his friends are planning to break her out but they better do it quick before angry Kristel gets to her first. Pretty good with a good score by Tangerine Dream.
Stefan Kahrs An average women-in-prison exploiter, but for a change it is set in East Germany during the period of the cold war. Remarkable are a couple of casting choices: Elisabeth Volkmann, best known from numerous silly sex comedies and the TV sketch series "Klimbim" plays the tough warden, and the usually so vulnerable Sylvia Kristel plays the inmates' top bitch (in a red wig), the kind of role normally played by the likes of Pam Grier or Sybil Danning. Volkmann has enough acting range to pull it off, but Kristel is completely and utterly miscast.Otherwise, this follows the genre rules extremely faithfully. We have all the compulsary ingredients: shower scenes, mistreatments by the staff, cat fights, revolts, escapes, etc. Virtually a remake of Chained Heat.