gordonl56 THE HALLIDAY BRAND 1957 This high-octane, emotion packed 1957 American western, stars, Joseph Cotten, Ward Bond, Betsy Blair, Bill Williams, Jay C. Flippen, Christopher Dark and the gorgeous Viveca Lindfors.The film, which is told in a long flashback, revolves around the family of a powerful rancher played by Ward Bond. The man has carved out one of the biggest ranches in the area. He is also the local town's Sheriff. When Bond's daughter, Betsy Blair, takes up with a local half breed, Bond breaks up the relationship.The lad, Christopher Dark, is then arrested on suspected murder and rustling charges. Bond's son, Cotten does not believe a word of it and accuses Bond of bigotry. Bond's other son Bill Williams, is the town deputy. He fails to protect Dark when a lynch mob comes for the lad. The mob strings up the boy.Cotten rides to town to talk with Dark's father, Jay C. Flippen and sister, Viveca Lindfors. Flippen soon grabs up his rifle and goes looking for Bond. This does not end well for Flippen. The handy with a gun Bond plants Flippen with several well placed rounds.Now there is a big falling out between Bond and son Cotten. Cotten starts a campaign of destruction against Bond and the other ranchers. He tells all that his father, Bond, must end his reign as the only law around. Bond rustles up a posse and pursues his son into the brush country. Cotton however manages to stay one step ahead. Cotton and the pretty Lindfors also manage to work in a little tongue wrestling time into the chase.Matters come to a head when Bond gets sick and is on his deathbed. Or so everyone thinks. It is a play by the old arse to lure his son back. How does it end? You need to watch it, but rest assured it will be worth your time.This top flight potboiler was directed by the under-rated, Joseph H. Lewis. Lewis knocked out several excellent b film noir and westerns during his big screen years. These include, SO DARK THE NIGHT, MY NAME IS JULIA ROSS, GUN CRAZY and THE BIG COMBO. His westerns include A LAWLESS STREET, 7th CAVALRY and 60 or so episodes of series like, THE RIFLEMAN, THE BIG VALLEY, A MAN CALLED SHENANDOAH and BONANZA.The sharp look of the film is supplied by 7 time Oscar nominated and 2 time winning cinematographer, Ray Rennahan. His film work includes, FOR WHOM THE BELL TOLLS, DUEL IN THE SUN, 7th CAVALRY, A LAWLESS STREET, WHISPERING SMITH, (the film) STREETS OF LAREDO and THE PALEFACE.

35541m It is not clear to me why this film is so highly rated on the board. I saw it recently and it was incredible overwrought and full of bizarre casting decisions. Plus the central premise suffers from a critical design flaw.Firstly, we're in the wild west circa 1870 or 1880 (I guess) so what is a rich landowner doing with 3 unmarried children well over the age of 30? It simply wouldn't happen back then. Halliday keeps ranting on about wanting to keep his 'brand' pure but he's not going to have a brand because his kids are all childless. Maybe this is intended to be an irony of the script but if so everyone keeps very quiet about it.Secondly, how old is Joesph Cotten's character supposed to be? 25-30? Cotten doesn't look as old as 51 (his real age) but does look at least 40. A bit old to have a rebellion and certainly it's not really plausible that he goes from mild mannered sop to a virtually superhuman avenger whom no posse can catch.A Swedish Indian? That's original at least.Janette Nolan caked up in some ridiculous make-up and overacting like mad as usual.Bond pulls a gun on Cotten - which he presumably got from somewhere and hadn't hidden in his bed for several months - and is disarmed by Blair. Rather than take the gun away and put it somewhere safe, she then sticks it in the drawer next to his bed within easy reach! Dumb or what? I tried to like this one but it just had some many ridiculous characters and situations I couldn't. Director Lewis tries with what he has but the money obviously went on the stars here since make of the scene are filmed in a single take with obviously no time to reshoot even if Betsy Blair cannot act.

bsmith5552 "The Halliday Brand" is an excellent western about the conflict between a father and son. Sheriff "Big Dan" Halliday (Ward Bond) is the sheriff/ranch owner in an unnamed town. His elder son Daniel (Joseph Cotten) has been avoiding joining his father in law enforcement.The picture opens with Daniel's brother Clay (Bill Williams) bringing news of their father's failing health and his wish to patch things up with his son before he dies. we are then told in a lengthy flashback sequence, the story behind their feud. We learn that the old man believes that his way is the only way and that his beliefs are not to be questioned.A couple of tragic events involving Daniel's sister Martha (Betsy Blair), a half breed named Jivaco (Christopher Dark, who looked too much like Dane Clark) and Jivaco's father Chad Burris (Jay C. Flippen) cause the gap to widen between Daniel and his father. Daniel vows to destroy his father and "Big Dan" vows to capture and hang his rebellious son. Further complicating matters are the relationships formed between Daniel, Clay and Jivaco's sister Aleta (Viveca Lindfors).Ward Bond rarely received leading roles in the movies. In this film he gets a chance to show what an excellent actor he was. His powerful performance dominates every scene in which he appears. He is matched by Cotton (looking a bit under nourished) as the son. Never mind that both actors were virtually the same age. They make you believe that they could be a father and his son and play well off of each other.Also in the cast are Jeannette Nolan virtually unrecognizable as the Indian grandmother Nante, and Glenn Strange, I. Stanford Jolley and John Dierkes as various townsmen.An excellent little western.

lorenellroy The Halliday Brand is a short movie clocking in at less than 80 minutes but it packs a powerful punch for all that, being a passionate,moody and brooding movie without an optimistic bone in its bodyWard Bond is the patriarch of the Halliday clan-rancher,lawman and bigot who controls his family with an unflinching will and brooks no opposition to his domestic and governmental tyranny.When his daughter (Betsy Blair)falls in love with a mixed race man(part Native American/part white)he orders him off the family ranch and railroads him into gaol on a false rustling charge and shortly thereafter the man is lynched.This is too much for his equally strong willed son (Joseph Cotten)who abandons family and home to set himself up in opposition to his father The tale unfolds via flashback when he returns to the bedside of his ailing father but there is to be no cosy reconciliation,and blinkered hatred rules Directed by Lewis in an intense almost manic style this is generally well acted,although Lindfors is simplyThe look is minimalist with stylised studio interiors being put to good use and adding to the sense of oppression generated by the movie.There is no room for compromise in Bond's world view and Cotten is the mirror image leaving tragedy as the ultimate outcome Lindfors is miscast but other performance are strong and using performers not always readily associated with the genre aids involvement