losindiscretoscine
Even though Muslim punk exists since the beginning of the 80s, it was only in 2003 that this movement was known thanks to Michael Muhammad Knight's book. « The Taqwacores » is therefore based on this book and it was premiered seven years later. Even if the goal of the film is clear, that is showing the existence of this Muslim punk movement in the USA and the trouble in getting in, it hides some surprises and interrogations. Since the characters and the movie do not rebel without any reason, although the violence shown is sometimes too much, it is the consequence of an essential questioning of Islam. The power of the film lies in the director's decision of not taking the same path as other films dealing with religion. « The Taqwacores » does not only go against the flow, but it gives some food for thought: can we worship just a part of the Koran? That is, can we not just take all that is said for granted but also apply our critical sense in order to build our own faith? Can we reverse religious symbols and use them as we please? The film does not give any distinct answers and it does not mean to, but, thanks to some clever realistic dialogues and scenes, it suggests some ideas. And, at the end of the day, we do not ask for more but some ideas to encourage our thinking about a matter that should be better known. Full review on our blog Los Indiscretos : https://losindiscretos.org/2016/12/30/the-taqwacores-2010-eyad-zahra/
John Seal
The Taqwacores is, at heart, a fairly typical indie ensemble piece, but with enough new wrinkles to earn it a thumbs-up from yours truly. Based on Michael Muhammad Knight's novel of the same name, it's the story of a group of Buffalo-based Muslim punk rockers rebelling against the strictures of their religion. (There really is a Muslim punk scene, but the bands in the film — Osama's Tunnel Diggers, Bilal's Boulder, and Boxcutter Surprise — are fictional).The film is crudely made, the screenplay a tad stodgy and predictable, and there's not enough music, but the characters — including Rabeya (Noureen DeWulf), the burka-clad 'riot girl' who crosses out the bits of the Qu'ran that she finds misogynistic, and wide-eyed innocent Yusuf (Bobby Naderi), who stumbles into the scene while apartment-hunting — are endearing enough to keep you watching.
natg520
If you liked "Border Radio" or "Clerks" you might like this one. The theme of religion plays a conspicuous role here, though. The characters are young and searching for their own definitions of Islam. It's interesting to see the DIY approach the characters take. It's a sweet story about alienated friends trying to define themselves.The editing and periodic black and white with talk radio blaring bigoted messages provides breaks in the story and relates the lives of the characters to the world. The overall feel of the movie is like those independent films of the late eighties and early nineties.I think that the movie would have been better with more music, but the film does succeed in conveying the seriousness of the Muslim identity in modern America.
stupidknight
Interesting concept. Must acknowledge that films like these are the reason why Sundance will always be special. The camera work was refreshing and must commend the efforts of the cast. Every small detail was well handled, the punk burkha for example, I've never imagined those black-bland clothes would ever get a creative touch, something I would envy if I were a fashion designer.Yusef, this was a character that found its alter-ego in Jehangir and struggles to acknowledge that Jehangir is who he always wanted to be. Yusef will always be that person who reminded you that wanting to have fun and being pious need not always be two different things.I really enjoyed watching those tiny clips with a couch, a person and a TV. We are a nation of people who believe in liberty but will it ever be possible for Jehangir to wear the crescent and star although he is in no way connected with his religion. I seriously doubt it, but yes, we give Jehagir this ability in our films. Applaud the efforts.
AD
