david-759-586558 I was fortunate enough to see one of the previews this production on stage while David Tennant was still fit. It was spellbinding , every actor on the stage was immaculate in their performance, the audience laughed and cried openly. The DVD version is a very good representation of the stage version but it lacks the magic of watching a live production, the interaction that the characters have with the audience, the emotional responses of a theatre full of people that allows you as an individual to show greater emotion than sitting in front of a TV. I also feel that the nature of filming in close up and multi angle sometime gets the viewer too close to the characters. All that said, this is a tremendous production, the comedy is brought to the fore which makes the tragedy even more profound. The cast is absolutely superb and I do mean the entire cast, not only the big name leads.The delivery of the dialogue is so beautifully done that even a Shakespeare novice will understand what is being conveyed. I have seen Hamlet performed live a dozen times and have left before the end on at least six occasions. This version when performed live is by far and away my favourite. My favourite film version is still the 1948 Laurence Olivier version....but this is a close second

esgaril I checked the spoiler check-box to be sure, but I don't think anyone would be surprised by the bits of storyline I'll reveal. :)I wasn't fortunate enough to see the production on stage, so I was very excited when I found out that they will release it on DVD. I watched it the day when finally arrived till 2 am and totally worth the next sleepy workday. I saw David Tennant in many roles and I think he's one of the most talented actors in his generation. He never fails to connect his character with me and I was curious to see his Hamlet. I wasn't disappointed. I saw quite a few Hamlets over the years, but this was the first when I was able to see the human behind the role. I don't know anything about the inner work of theater, I'm merely one of the audience, I only can say what I feel. Don't get me wrong, Kenneth Brannagh was an amazing Hamlet, but even he couldn't get Hamlet close to me. David Tennant did. He showed me the real meaning and depth of those beautiful words Shakespeare written. He made me feel all of Hamlet's pain and uncertainty, the educated man who not only lost his beloved father, had to see his mother married so close after the funeral, but witness an appearance of a ghost and based on its words he was expected to commit a murder. No wonder he was considering suicide to escape from all of this. I could totally understand, even sympathize with him like I never did before. This version of Hamlet is the most memorable for me because of his powerful performance.Also Sir Patrick Stewart was an authentic and subtle villain, the essence of the "smiling in your face than stab you in the back" type. His Claudius showed genuine love for Gertrude as well which was one of the main reasons why he murdered his own brother. I always felt that many actors (or directors) failed to put some focus on that. After all there should be some very good reason to kill your closest kin and it's not like Denmark was especially powerful or rich at the time with Fortinbras and his army at the borders.I also loved Penny Downie as the clueless, "goes with the flow" Gertrude, even if I wonder all the time that how is it possible that she doesn't suspect anything right until the bedroom scene. Penny made me think that maybe she does, only she choose not to see what happens in front of her eyes.Unfortunately I couldn't love Mariah Gale's Ophelia, I couldn't connected with her like I did with the others. Maybe it's my fault but I couldn't see her as the beautiful and intelligent young woman who worth of the love of the prince and who return his feelings so strongly, that when she lost him to the madness she takes her own first step to that way as well.This review gets quite long so just some quick words about the set: I think the modernization worked very well, the black, mirror-like floor, the security camera system helped me to rethink the play from a new viewpoint and showed it like it would be the first time anyone perform it. It seemed new and fresh to me and I wondered if that was the way (aside from the modern technique of course) they used to perform in the first days before the play was burdened with so much expectation and history.All in all, I highly recommend this movie for those who have never seen Hamlet before and for those who have seen a lot, but are open for some fresh version of it.

spinzgirl After seeing Branagh's version years ago, I honestly never thought it could be improved upon. However, while that version relied heavily on pageantry, this one thrives on the script. I may have minimal theater experience, but I do have an English degree and felt that this was a wonderful interpretation of the play. The difficult thing for many people is, having seen it performed before, cannot re-imagine it any other way. It's a shame to hear some of the reviewers bash the actors when we all know that no two Hamlets are (or should ever be) the same. Who's to say how it was performed during Shakespeare's time? That's the beauty of the play. In a time of constant Hollywood remakes where the original is available to be seen and borrowed from, the RSC has made it fresh and new again. I hung on the words as if hearing them for the first time, and in some cases thought of them in an entirely different fashion. Plus, as a long-time Dr. Who and Star Trek fan, it didn't feel as if I was watching the Doctor or Captain Picard performing. The staging was quite brilliant as well; it didn't distract or become a character in and of itself. The rest of the cast performed quite well and should be celebrated also.

derekph-1 ACTING! Tennant is so bad that the otherwise so-so production is rendered ludicrous. The CCTV touches are foolish, but only mildly annoying compared to Tennant's banal, manic interpretation of his role. He renders Hamlet a clown, a caricature, a ridiculous figure to be cringed at. No nobility, no dignity, just a mad fool. Hyper-active, ADHD-driven, he needs some Ritalin to calm him down. There's not a single scene he's in that he does not ruin with his childish antics and wild grimaces and twisted gestures. Otherwise this production is just acceptable. The supporting cast is so overshadowed by Tennant's hysteria that they seem stunned, dismayed and disbelieving. There are scenes – Hamlet absent – that work well enough, but their effect is soon lost. Embarrassingly bad.