fouregycats Psychiatrist with a brain tumor spends a weekend with her husband and sister at their cabin. A knock on the door brings a young man who turns out to have a gun. Shortly thereafter, another man arrives, and he turns out to be a former patient of the doctor's, and he wants revenge. While he was in her care, he was given injections of an experimental drug that the doctor was trying on him as a guinea pig because they both have the same type of brain tumor. As the victims are held hostage, psychological games are played; I don't understand why except there has to be a reason to make this movie. Secrets are revealed, of course. I got confused at the end. I must have missed something because it didn't make any sense to me at all. But I give this film 5 stars for the good acting and the dialogue.

willywants I can not say enough good things about "The Dark Hours". Don't let the unoriginal title phase you, this flick is exactly what the horror genre needs. This is a type of film that requires every second of your attention, for every little action comes back and ties in at the end. Performances are believable all-around, and Adian Devin makes a brilliant villain, simultaneously hilarious and terrifying. The film is exceptionally well shot on its tiny budget (less than a half-million Canadian dollars). Paul Fox has truly done a bang-up job on his directional debut here. His style and visual creativity elevate what is already a great film and makes it both intellectually stimulating AND a feast for the eye. Wil Zmak's script is intelligent and never underestimates its audience, and the ending will leave a definite mark on your mind. I'd also like to point out the music score, which was downright brilliant. As a film score fan I can say that even though this score will unfortunately never see a CD release it is quite a remarkable and original score. Gore fans will get a kick out of the finger scene as well. Really great horror film; simply not to be ignored. Why can't we have more films like this?

jeffoneonone I'm writing a horror screenplay. Until I saw The Dark Hours, I thought it was pretty decent. But this movie turned everything I thought I knew about horror on its head and made even some of my very favorite horror flicks seem superficial by comparison.It's not that it's particularly original -- Chris Nolan could almost be listed in the credits for the cue that Paul Fox picks up from Memento and Following. What makes it stand out? It's damn scary -- it gave me the same visceral feeling of horror formerly reserved for classics like Halloween and Psycho. But even then it's like comparing apples to oranges because it's just as much a psychological thriller as it is a horror film. The Dark Hours takes the best from psychological thrillers, so-called "slasher flicks" and the lamentably-popular genre of torture horror and mixes them up in such a way that it seems fresh and original.The film features a cast of talented unknowns, which works in its favor because there are no big egos drawing one's attention away from the story itself (and trust me -- you'll NEED to be paying attention to get the full effect).Lopped off two stars for some unnecessary gore. Although it wasn't as extreme as many horror films, it didn't really add anything of value to the film -- gore doesn't produce scares, just shock.

Crap_Connoisseur The Dark Hours is one of those rare horror films that takes itself and its audience seriously. There is no black humour, no manic referencing of horror classics and no "someone-is-about-to-get-diced" eerie music. As a result, Paul Fox has succeeded where most American film directors have failed - in making a scary movie that is actually scary.This film reminds me somewhat of Alexandre Aja's hugely over-hyped "Haute Tension". Both films contain violent home invasion scenarios, which are subsequently turned upside down by revelations about the sanity of the protagonists. In this case, the central character, Samantha, joins her husband and sister for a weekend in their remote cabin. Unfortunately, their stay is well and truly ruined by the appearance of Harlan; an ex-patient of Samantha's intent on revenge. As the story unfolds, it becomes increasingly ambiguous as to whether Harlan is real or a projection of Samantha's own psychosis. The reason why I find The Dark Hours superior to "Haute Tension" is that within this film's (albeit unlikely) parameters, the plot twist not only makes sense, it also serves to raise the suspense. Neither of which can be said for the events in Aja's film.Gore hounds need not be concerned. This is not a lame "psychological" thriller. The Dark Hours contains a significant amount of gritty violence and one startling act of self-mutilation. The gore effects are uniformly well done and horror fans will enjoy several unexpectedly grim plot developments. The bloodshed is balance nicely by the terror of Harlan's games (his interpretation of "Truth or Dare" was a highlight) and the uncertainty about Samantha's own mental state.The performances are generally very good. Kate Greenhouse is a revelation as Samantha. Hopefully she'll be leaving Canada for Hollywood in the not too distant future. Aidan Devine is another standout as Harlan. This actor has been under-appreciated for far too long. Harlan is yet another memorable character to add to his long list. The supporting cast is not as impressive. The actors who play Samantha's husband and sister are rather dismal. Their responses during the "Truth or Dare" game are unintentionally amusing, which was really quite a feat given the context. Paul Fox contributes to the film's success with his stylish direction, particularly his innovative use of sound effects and editing.The Dark Hours leaves a number of questions unanswered. You do not have to scratch too far beneath the surface to find holes in the plot, even if they are neatly camouflaged by flashbacks and clever editing. Despite these faults, I enjoyed the film immensely. I just wish someone could tell me what that damn noise in the attic was meant to signify.