Buick_Beast The Sublime & Beautiful, I haven't seen a film this raw & performances this real in a film since Laws of Gravity, from the moment I watched this Man's World, from the first unhinged twinge of the camera, I knew the World we were entering was already on shaky ground, the family unit was so beautiful & full of life, but there's a sudden reason for the camera work that creeps in, you'll have to catch your breath, again & again as it unfolds that this man's lively World & gorgeous children might be temporary. Most Filmmakers, as well as Lead Actors, could have easily directed this into the arena of melodrama, but once again, the potency of the Reality I was seeing before me made me loudly weep & then hold the emotions in, as the characters viscerally do the same. Get a drink of water before this one & go into this journey full force because this man's reality will unfold before you in such a subtle yet spellbinding & mesmerizing way, you won't be able to take your eyes off the screen. This movie took me to all kinds of places within myself, my own moral conundrums & just spit me out onto the floor, from moments in which the Man's Wife declares "Here goes the Woman with the Dead Kids" to the moment he confronts the drunk driver in a wonderfully, raw scene, only to assume what transpired there, till the very end, in which David Conrad, played brilliantly by Blake Robbins, seems to have his own epiphany in the house of the relatives of the Drunk Driver. I was on pins & needles. This didn't feel like acting to me. This felt very real which means the filmmakers did it right. If you've ever experienced loss, any kind or have never experienced profound loss & want to know how a human being truly feels in these situations, the journey it takes man/woman on, this film should be shown in film schools/universities, it's that potent, it set a bar for the reality of Human Grieving, Forgiveness & it's both Sublime & Beautiful.

repalmer-210-506917 Aaaa... wow. I began watching this movie because it was shot in Lawrence. I wasn't expecting anything remarkable. But this movie is. Its sad enough to make you look away but its so good you can't. I don't doubt that this is exactly the effect Blake Robbins was looking for. He skillfully represents all the horror of a tragic happening and the fact that sometimes there are no words that can help yet others around are compelled to offer them. But no matter since and heartfelt they are they only cause pain. If you are looking for quality and meaning and completion of purpose then this is a film you shouldn't miss. I'm going to be watching for more work of Mr. Robbins.

LizSmithMoore Blake Robbins took on a daunting task: Writing a story about a profoundly sad event in the life of a family. The hazard in such an effort is to fall into tactics of cheap and obvious manipulation. Not only did Robbins tell the story with realism and respect, he carried it through 90 minutes of film further enriched by the right actors, cinematography, musical score and all the other elements of a nearly perfect movie. I did not cry when I watched it, but not because I wasn't moved. Blake put me in David's head and I felt locked in a state of shock and denial. Add David's struggle with middle-aging even before the tragedy, witness the impact on David and Kelly's marriage, the reactions of friends, family and community, and this film feels as real as it possibly could. As art, it is the best possible treatment of one of the darkest aspects of the human condition.

SLUGMagazineFilms I once took a writing class where the teacher told us that the best way to get readers to care about your characters is to make terrible things happen to those characters, forcing some type of reaction. The Sublime and Beautiful is the greatest example of this that I've ever seen. Throwing on a multitude of hats as director, producer, writer and lead actor, filmmaker Blake Robbins offers up a tale of a husband and wife who lose their three children in a tragic accident. Robbins reveals flaws in many of the characters throughout the film, but none so much as the main character—creating a stunningly authentic feel with each role. Though The Sublime and Beautiful is by far the heaviest film I've seen in a long time in terms of mood, its depiction of grief is stunningly honest and matter-of-fact. When you experience tragedy in life you don't want to talk to people you hardly know, you don't want people constantly asking how you are and you certainly don't want to hear about how "these things happen for a reason"—you want someone to blame. Robbins understands that perfectly, and his film is both sublime and beautiful.